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Old 04-12-2009, 08:05 PM   #21
sadukan
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Exclamation Hetu versus Lo Shu

Quote:
Originally Posted by sadukan View Post

PPS The count of 55 also appears at the scale level of 4, matching Nassim's 64 tetrahedral IVM grid:


*stereogram (crossed-type)
Just thought I'd add that in the traditional analysis of Yi Jing "divination" the number 55 also figures as "Heaven and Earth" - the sum of the 25 Heavenly and 30 Earthly numbers.

Here's a paper I found discussing some reconstructed methods that differ from the "traditional" form as presented in Western media formats.

sadukan.

PS The tetrahedral number series doesn't quite match the breakdown - instead of 25/30 we have 20/35, though this seems to be based on a Hetu rather than Lo Shu arrangement. The Lo Shu arrangement yields 25 and 20, so this seems to suggest the addition of the 10th numeral in the centre of the Hetu to make 20+10=30. Although, bit-reduction of 10 (even) is 1 (odd), hence the apparent confusion.
PPS Also, the 216+144=360 breakdown was intriguing.

"over it is 19"[74:30]
(DiYu - 18 Levels of Hell)
Philip LeMarchand


Last edited by sadukan; 05-12-2009 at 01:42 PM.
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Old 07-12-2009, 03:57 PM   #22
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Something I did long time ago, you've probably been through this at the abradahabra forum dozen of times though..

I think I'd just post it here anyway. Just a small test I did when comparing the "original" solfeggio frequencies and their distances vs the "capstone" freq's.

btw, does anybody know a VST plugin or another easy way to use these frequencies as a tuning base in a sequencer..?

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Old 08-12-2009, 04:25 AM   #23
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Here are a couple of recent graphs of the '27 tone Subset':

27 Tone Subset
{Magic Sphere Arrangement**




Each of the 9 circumferential rings supports 8 tones
(i.e. 4 polar pairs) that sum to 440...

Each ring 'orbits' around the central 55 Hubtone...

440 + 55 = 495

_______________________
_______________





More on the 27 Tone Subset in this post...
_______________
___________



More on the 'magic sum' of 495 in this post...

______________________


If you add up the tones on the 9 'circumference rings'
(excluding the 55 Hubtone) you get the total 3960...
*

Which of course is the earth radius 'octave'...

The distance from the earth's 'hub' to its circumference...

___________________

*
Even though there are only 26 'ring tones'
each tone appears on multiple rings...

(9 rings x 8 tones = 72 iterations)...

Each ring's tones sum to 440, so...

440 x 9 = 3960




.


Last edited by mythmath; 08-12-2009 at 04:36 AM.
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Old 08-12-2009, 04:26 AM   #24
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27 Tone Subset
{Magic HemiCube Arrangement**




The 9 tones on each rhombic face of the HemiCube total 495...

And any 3 tones in a straight line combine to the magic constant of 165...


55 x 3 = 165

55 x 9 = 495


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27 Tone Magic HemiCube
{with TriChromatic Sigil**




More on TriChromatic Sigil:
Ternary Distribution
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Old 09-12-2009, 02:40 PM   #25
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I was only yesterday thinking of the s frequencies and how they work. I then spot this thread and I am engrossed. Not got the frame of mind for a proper read of it all at the moment. Can I ask, is Ian one of the 72 three letter names for God? Hmm or perhaps my initials are.
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Old 09-12-2009, 03:33 PM   #26
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Quote:
Originally Posted by jtstatic View Post
btw, does anybody know a VST plugin or another easy way to use these frequencies as a tuning base in a sequencer..?

You know about Scala don't you?
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Old 10-12-2009, 10:43 AM   #27
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Quote:
Originally Posted by bagatell View Post
You know about Scala don't you?
Yeah, I actually found about it just yesterday Will give it a try..
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Old 11-12-2009, 08:21 AM   #28
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{In the RED text below is an addendum/correction to post#24 above**



In that post I showed this diagram:




The 9 tones on each rhombic face of the HemiCube total 495...

And any 3 tones in a straight line combine to the magic constant of 165...*


55 x 3 = 165

55 x 9 = 495


_________________________


* Upon closer examination I see that there are two diagonals, shown below, that are noncompliant,
however if you sum both of these diagonals together you'll get 330,

and of course, 330/2 = 165:




Last edited by mythmath; 11-12-2009 at 08:22 AM.
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Old 11-12-2009, 10:58 AM   #29
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Hmm, summing up the "rings" creates the following values:

132 middle
561 center
792 outer

Interestingly, if you count values on both sides of the 3 dividing lines you get following values:

132 bottom
465 right
798 left

anyway, that's 3 out of 8, however this gives you 6 6 6 total for all lines edge values.

Another interesting thing, not sure if this is just a coincidence, but 666/212= pi to 4 decimal..

I believe 666 / 212 was somehow linked to genesis in gematria..

Last edited by jtstatic; 11-12-2009 at 11:04 AM.
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Old 11-12-2009, 11:13 PM   #30
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Quote:
Originally Posted by jtstatic View Post

Interestingly, if you count values on both sides
of the 3 dividing lines you get following values:

132 bottom
465 right
798 left
Not sure what you mean by that...

When I added the 'adjacent' values on
either side of the 3 dividing lines, I got:

74+44+63+39+28+82=330

22+58+69+93+74+14=330

14+44+99+33+52+88=330

{330/6=55**

Quote:
Another interesting thing, not sure if this is just a coincidence, but 666/212= pi to 4 decimal..
Where does the 212 come from...?

.
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Old 12-12-2009, 06:35 AM   #31
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Sorry, english is not my native language so I might express myself a bit wrong sometimes..

I only counted the values that are nearest to the line. For example 74+44=1 63+39=3 28+82=2

The sum of these values is 6 for one line. Not sure if we can really talk about line value though but concentration of numbers nearest to that area and their sum?

Also the sum of all values leads to 330=6 but you get it three times for each so it's actually 9 reduced for all numbers around the line, that's why you only get total 6 if you sum the values that are nearest to the line.

212 is the last number from each rings sum, so again it is not that apparent and not sure if the result holds water as such.

13(2)
56(1)
79(2)

It's a bit far fetched approach, so like I said it might just be coincidence. I wasn't looking for it but just noticed the numbers when I was testing other values and by conincidence had the article about gematria & 666 / 212 open at the same time, so it's a bit like "umm what" and "I guess that's ok.." kind of approach

Sorry if I got you confused though

Last edited by jtstatic; 12-12-2009 at 06:40 AM.
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Old 13-12-2009, 08:22 PM   #32
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Default The Illuminati Uses Solfeggio Frequencies!

I'm posting here based on information gathered from this thread:

http://www.davidicke.com/forum/showthread.php?t=92955

The Illuminati secretly employs sacred Solfeggio harmonic frequencies in their many un-doings on the world. An example is the pandemic/vaccination scenario:


1910 => secret epidemic/pneumonic plague of Manchuria
1910 + 33 years (ie. 33rd Masonic degree) = 1943 => first influenza vaccine
1943 + 33 years = 1976 => swine flu vaccine
1976 + 33 years = 2009 => swine flu vaccine, the second coming
2009 + 33 years = 2042 => swine flu, the third coming?
2042 + 33 years = 2075 => swine flu, the fourth coming?
2075 + 33 years = 2108 => swine flu, the fifth coming?

Now, do Pythagorean math (reducing compound numbers down to a single digit by adding all the digits):

1910 => 1 + 9 + 1 + 0 = 2
1943 => 1 + 9 + 4 + 3 = 17 = 1 + 7 = 8
1976 => 1 + 9 + 7 + 6 = 23 = 5
2009 => 2 + 9 = 11 = 1 + 1 = 2
2042 => 2 + 4 + 2 = 8
2075 => 2 + 7 + 5 = 14 = 1 + 4 = 5
2108 => 2 + 1 + 8 = 11 = 1 + 1 = 2

8-5-2-(8-5-2)-8-5-2 Hz is the harmonic tone of the Illuminati's sick vaccination/pandemic pranks!

8 - 5 - 2 (3 3 differences between the digits => hence 33 years apart between vaccination/pandemic pranks)

One can only begin to wonder what other sick jokes the Illuminati pulls over the world's eyes with the harmonics of 741 Hz, and 963 Hz!

(N.B.: The 18 sacred Solfeggio harmonic frequencies are based on permutations of (741), (852), and (963):



1- 147
2- 174
3- 258
4- 285
5- 369
6- 396
7- 417
8- 471
9- 528
10- 582
11- 639
12- 693
13- 714
14- 741
15- 825
16- 852
17- 936
18- 963

(I also highlighted 285 Hz along with 528 Hz b/c we do not know the actual "start" of the sequence, ...8-5-2-8-5-2-8-5-2...).

But... in the mainstream media... the Six Solfeggio Harmonic Frequencies include:

UT – 396 Hz – Liberating Guilt and Fear
RE – 417 Hz – Undoing Situations and Facilitating Change
MI – 528 Hz – Transformation and Miracles (DNA Repair)
FA – 639 Hz – Connecting/Relationships
SOL – 741 Hz – Awakening Intuition
LA – 852 Hz – Returning to Spiritual Order

"Order out of chaos", anyone?)

Last edited by sphere555; 14-12-2009 at 12:32 AM.
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Old 13-12-2009, 09:39 PM   #33
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Another person working on Lo Shu / Solfeggio frequencies:

http://s402.photobucket.com/albums/pp106/Lee-Burton/

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Old 14-12-2009, 01:08 AM   #34
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Quote:
As shown above, the two scales of tones (also referred to as 'Mirrors') each contain 18 frequencies...

These 2 frequency groups can each be represented by their respective 'seed frequencies'...

Mirror One: 147, 258, 369

Mirror Two: 123, 456, 789
I've been reading about your work on other forums and am very confused. I'm not sure at all how you got the mirror numbers. One one post it seems you got them from adding or subtracting 18 from the original numbers, which with my calculations just didn't add up at all. I however wasn't able to find the page that said this. I'm going to try and go through this again tomarow. I'm sure there must be something of value here.
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Old 14-12-2009, 01:26 AM   #35
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Quote:
Originally Posted by mythmath View Post
The 81 Lo Shu Tones
It's interesting that the Tao Te Ching contains 81 chapters, is there any correlation?
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Old 15-12-2009, 04:46 AM   #36
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Sure, the 81 Shou (tetragrams) of the Tai Hsuan Ching have
been historically linked to the 81 sections of the Tao te Ching...



Much more info regarding the THC: Tai Hsuan Ching a GoGo

enjoy,

MythMath
__________

PS - not to disregard any of Lee Burton's research, but he's
been a frequent visitor to our threads at abrahadabra.com...
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Old 15-12-2009, 04:53 AM   #37
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chris com 283,

If you have any specific questions, please feel free
to ask, and I'll clear up anything that I can...

Make sure you (re-)read the initial posts in this thread,
especially post #4, as it shows precisely how the 81
(and, of course, the original 18) tones were generated...

MythMath
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Old 15-12-2009, 05:12 AM   #38
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sphere555,

For someone with such a beautiful avatar
and such a positively-resonating nickname,
your understanding of the Lo Shu Tones
is somewhat deficient...

Alas, I've done my best to establish the facts that the
so-called 'Solfeggio Frequencies' are not ancient, nor
could they have been used historically as 'sacred frequencies'...

There is actually no historic proof that any of these
specific number values were used (or even thought of)
as audible sound frequencies until 1999...

Please read through the first 3 or 4 posts of this thread,
if you are interested in why and how I can claim these facts...


Feel free to ask for any further expatiation...


MythMath

Last edited by mythmath; 15-12-2009 at 05:42 AM.
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Old 15-12-2009, 03:43 PM   #39
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Quote:
Originally Posted by mythmath View Post
sphere555,

For someone with such a beautiful avatar
and such a positively-resonating nickname,
Thanks.

Quote:
your understanding of the Lo Shu Tones
is somewhat deficient...


Quote:
Alas, I've done my best to establish the facts that the
so-called 'Solfeggio Frequencies' are not ancient, nor
could they have been used historically as 'sacred frequencies'...

There is actually no historic proof that any of these
specific number values were used (or even thought of)
as audible sound frequencies until 1999...
The Solfeggio frequencies were taken out of mainstream knowledge, thus were not known to the public until they were re-discovered in 1999.

How can you claim that Solfeggio frequencies were not known to the ancient secret societies when it was hard-coded into the bible? Remember, 741 and 852 are just phase shifts of 963. So if you were to encode the frequencies into something, all you have to do is encode one tone, and the rest can be derived by phase shift. So by extrapolation, the Illuminati would have known of the Solfeggio frequencies prior to 1999:

http://www.miraclesandinspiration.co...equencies.html

Quote:
DR. JOSEPH PULEO and DR. LEONARD HOROWITZ – "THE MUSIC SHALL SET US FREE"
The Solfeggio frequencies were essentially rediscovered by the late,
Dr. Joseph Puleo, (pictured right), a naturopathic physician and one of America's leading herbalists, who began his research into this field in the mid-1970's.

He was Divinely inspired to examine the Bible and he uncovered in Genesis: Chapter 7, Verses 12-83, that there were a pattern of six repeating codes around a series of sacred numbers, 3, 6 and 9. When deciphered using the ancient Pythagorean method of reducing the verse numbers to their single digit integers, the codes revealed a series of six electromagnetic sound frequencies that correspond to the six missing tones of the ancient Solfeggio scale.
Btw, loved your "Solfeggio frequencies" thread on Abrahadabra.

Any insight on what the Illuminati hopes to accomplish with 852 and influenza/swine flu/vaccinations?

Last edited by sphere555; 15-12-2009 at 04:16 PM.
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Old 16-12-2009, 06:28 AM   #40
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Quote:
Originally Posted by sphere555 View Post

How can you claim that Solfeggio frequencies
were not known to the ancient secret societies?
Here is a short list of some of the things
that the most advanced civilizations
of ancient times did not have:

1. Any concept of identifying audible tones
in terms of 'cycles per second' (hertz).

2. Any way to observe or measure cycles per second.

3. Any way to observe or display seconds, for that matter.


So there is no way they could have identified
one pitch over another in a manner that would
correspond to specific frequencies (or hertz)...

Whatever means they did use to identify a given
pitch or harmonic relationship did not include
numbers that represented the vibrations of that
tone in terms of cycles per second or hertz...


CONCLUSION:

The Ancients did not have these 'sacred Solfeggio'
frequencies
available for use as sonic material...

_________________________


What they did have:

A vast and acute awareness of harmonic relationships;
long histories of mathematical discoveries of spirals
and Golden ratios and 'Fibonacci' sequences (long before
Fibonacci was ever born, btw) and organic proportions...


CONCLUSION:

The production of ancient sacred sounds did not rely on specific
frequencies, it relied on specific proportional harmonies...

It relied on

Just because there was no standardized tuning identified by specific frequencies,
the ancient musicians could still accurately tune their instruments to each other's
and singers could still generate exquisite and impeccable melodies and harmonies...


Quote:
Originally Posted by sphere555 View Post

Btw, loved your "Solfeggio frequencies" thread on Abrahadabra.


Thanks for that, but I 'abandoned' the Solfeg thread to
start up the thread dedicated to what became known as
the 81 Lo Shu Tones, precisely for the reasons stated above...

I wanted to clearly establish that ancient cultures
did not (and could not) identify their musical/sonic
elements in terms of frequencies or 'cycles per second'...


Quote:
Originally Posted by sphere555 View Post

[the Solfeggio tones were] hard-coded into the bible...
The only 'source' of this claim is Puleo/Horowitz (circa 1990's)...

How could this information that identified specific 'frequencies'
(a concept that did not yet exist) become encoded into the bible...?

And even if such information was somehow encoded,
how could it possibly retain its coherence through
several language translations with all of their
documented revisions, edits and outright deletions...?


Quote:
Originally Posted by sphere555 View Post

Remember, 741 and 852 are just phase shifts of 963.
So if you were to encode the frequencies into something,
all you have to do is encode one tone, and the rest can
be derived by phase shift.
sphere555, I don't mean you any disrespect but
are you a musician, or an electrical engineer...?

Do you know what the term 'phase shift' actually means...?

Could you explain how one might obtain the frequencies
of 741hz or 852hz by 'shifting the phase' of 963hz...?

If you are merely referring in the more general sense
of creating a related set of 3-digit number values by
'shifting the digits' to go from, say, 963 to 852 to 741
then this is very different from generating unique audible
frequencies by phase shifting a given reference tone...

Again, just because an ancient mathematician may have
had the related number values of 963, 852 and 741, that
person did not possess the knowledge or technology to
produce the audible frequencies of 963hz, 852hz and 741hz...



.

Last edited by mythmath; 16-12-2009 at 07:28 AM.
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