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Old 03-07-2015, 11:31 PM   #1
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Post Jesuits & knight of malta created hollywood


April 14, 2013



In 1920, Father Daniel J. Stack was appointed pastor. Like those who came before him, Father Stack was faced with the problem of accommodating a growing parish on a minimal budget. But unlike his predecessors, Fr. Stack had a new, deep-pocketed resource to tap into. By the time he arrived as pastor, Blessed Sacrament had become a popular location for movie studios. Parishioners were often used as extras and Father Stack himself was frequently used as a technical adviser to evaluate the religious accuracy of a scene. So central was Blessed Sacrament in the film community that the first professional organization for screen writers and actors – the precursor to the Writers’ and Screen Actors’ Guilds – was formed at the church.

As a result of this close community relationship, studios such as Universal, Keystone, Lasky, the Francis Ford Company and Christie Studios readily agreed to help Blessed Sacrament in any of its fundraising efforts. They provided actors and equipment free of charge for church sponsored events such as theatrical productions or festivals. The extra income earned went to general maintenance and towards a reserve that would one day help pay for a desperately needed new church school and rectory.



The Motion Picture Production Code was the set of industry censorship guidelines which governed the production of the vast majority of United States Motion Pictures released by major studios from 1930 to 1968. It was originally popularly known as the Hays Code, after its creator, Will H. Hays.

The Motion Pictures Producers and Distributors Association (MPPDA), which later became the Motion Picture Association of America (MPAA), adopted the code in 1930, began effectively enforcing it in 1934, and abandoned it in 1968, in favor of the subsequent MPAA film rating system.

The Production Code spelled out what was acceptable and what was unacceptable content for motion pictures produced for a public audience in the United States.



Ironically, Catholic bishops and lay people tended to be leery of federal censorship and favored the Hays approach of self-censorship; these included the outspoken Catholic layman Martin J. Quigley, publisher of Exhibitors Herald-World (a trade magazine for independent exhibitors). For several months in 1929, Martin Quigley, Joseph Breen, Father Daniel A. Lord S.J., Father FitzGeorge Dinneen S.J., and Father Wilfred Parsons (editor of Catholic publication America) discussed the desirability of a new and more stringent code of behavior for the movies. With the blessing of Cardinal George W. Mundelein of Chicago, Father Lord authored the code, which later became known as “The Production Code”, “The Code”, and “The Hays Code”. It was presented to Will Hays in 1930 who said, “My eyes nearly popped out when I read it. This was the very thing I had been looking for.”

Daniel Lord


Amadeo Pietro Giannini (May 6, 1870 – June 3, 1949), born in San Jose, California, was the Italian American founder of Bank of America.

Giannini and his bank helped nurture the motion picture and wine industries in California.


— The Vatican awards Knighthood in the Order of Malta to two San Franciscans, Transamerica Corporation President Amadeo Peter Giannini and American Trust Company President John S. Drum. The knighthood is the oldest and most distinguished decoration of laymen conferred by the Catholic Church.


The National Legion of Decency was an organization dedicated to identifying and combating objectionable content, from the point of view of the Roman Catholic Church in the United States, in motion pictures. For the first quarter-century or so of its existence, the legion wielded great power in the American motion picture industry.

The Legion was founded in 1933 by Archbishop of Cincinnati John T. McNicholas as the Catholic Legion of Decency (CLOD) in response to an address given by apostolic delegate Archbishop Amleto Giovanni Cicognani at the Catholic Charities Convention in New York City. Cicognani warned against the “massacre of innocence of youth” and urged a campaign for “the purification of the cinema.”


John McNicholas was born in Kiltimagh, County Mayo, the youngest of children of Patrick J. and Mary (née Mullany) McNicholas. In 1881, he and his family emigrated to the United States, where they settled in Chester, Pennsylvania. He received his early education at Immaculate Heart of Mary School in Chester, and then attended St. Joseph’s Preparatory College in Philadelphia.


Saint Joseph’s Preparatory School, founded in Philadelphia, Pennsylvania in 1851, is a Catholic, urban, college preparatory school for young men. The school is operated by the Society of Jesus.

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Old 03-07-2015, 11:36 PM   #2
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April 14, 2013 at 6:41 pm

Now you can understand why your never see a Protestant church in Hollywood movies, all you see is the Roman Catholic beast in each and every film. The Jesuits pretending to fight evil in films like The Exorcist and The Last Exorcism, nothing could be further from the truth about these masters and teachers of the Mysteries. The Jesuits create and fund everything, they run all the different systems used to control and divide us such as religions like Mormonism (Brigham Young was handled by Fr. Pierre-Jean de Smet SJ) and the Scottish Rite of Freemasonry (Albert Pike was handled by Fr. Pierre-Jean de Smet SJ) not to mention science (Albert Einstein has handled by Fr. Georges Lamaitre SJ).

Now you can see why Roman Catholic actors are the highest paid actors of all such as Jesuit trained, Denzel Washington who went to Fordham ‘military fortress’ University. Is it any wonder his film ‘The Book of Eli‘ pushes the King James Bible rather than the true-Christian bible known as the Geneva Bible. Just surprising how they never went even further into the Beast with the Douay Bible instead but alas the King James Bible was created by an occultist within The Worshipful Company of Mercers who control the financial world today for the pirates of the Livery mastered by the Jesuits.

Hollywood was created to control the age old brainwashing over the mass populace for control and social engineering to the desires of the Jesuits (Roman Empire Little Horn) through the British Empire continuum (Roundtable Group) modeled off the Jesuit Order power structure, itself modeled off the Ḥashshāshīn sgtructure of the Ismailis. The Jesuits being the Knights Templar continuum (Order of the Calatrava/Montessa) allowed by the Pope to survive in the Kingdom of Aragon after the suppression of the Knights Templars. The social engineering of Hollywood is devised by the Nazi founded Stanford Research Institute (founded by Otto Von Bolschwing and Helen Van Damme) along with its master the Tavistock Institute for Human Relations under the Fabian Society. May I remind you that Nazi Helen Van Damme got her surname through marrying Christian Van Damme the vice-President of Bank of America (Vatican bank) who was funding loans for the cocaine and heroin trade with John Delorean working for Nazi, Nikolas Klaus Barbie. Finally make the connection again with the Order of Malta who aided the removal of Germans from the Motherland into the Americas via the Dragonovic ratlines and Operation Paperclip.

The mind control is known is predictive programming where they use the television to tell your mind through your vision to program using TV programmes. This programming is aided by various technologies such as specific hertz frequency flicker rates and more modern techniques such as the Silent Sound Spread Spectrum warfare. Now does it make sense why digital TV has been forced down your throat?

Now surely you can see who rules the roost and the real agenda. Make sure you know that the Catholic Church is not Christian and it is in fact a veiled Satanic cult, it is the Beast within the ancient land of Saturnia now known as Italy. Once you understand these things you can see why Hollywood pushes the vile, twist, sexual and satanic programming it does today. When you understand that the Jesuits (Los Alumbrados) never truly even followed Catholicism and instead just used it as a front veil, now you can see even more clearly. A lot of the actors are within orders such as the Order of Malta.

-= The Unhived Mind

“The CIA owns everyone of any significance in the major media.” -William Casey, CIA Director

The CIA Created and Master Disney World Theme Park

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Old 03-07-2015, 11:37 PM   #3
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April 15, 2013 at 3:48 am

Hollywood is controlled by the Jesuits, controlling the Papacy, controlling the Knights of Malta, controlling Scottish Rite Freemasonry, just like how basically everything else is controlled.
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Old 03-07-2015, 11:45 PM   #4
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Post Motion Picture Association of America by Rome

Motion Picture Association of America Ruled by Black Pope’s Knights of Malta
Eric Jon Phelps
By Eric Jon Phelps February 2, 2012 15:27


Knight of Malta Jack Valenti, Head of Motion Picture Association of America (1966-2004)

In the face of the constant rant that “the Jews run Hollywood,” we should remember that it is the Jesuit Order calling the shots. As per the article below, Roman Catholic papal knight Chris Dodd (former corrupt US Senator from Connecticut, is now the head of the Motion Picture Association of America (MPAA). That’s right. Another ROMAN CATHOLIC loyal to his unholy hellishness in Rome!

But let us review the past in order to understand the present—as this is the purp0se of recorded history!

Hollywood was originally founded by notorious Jews but in the 1930s it was taken over by the power of ROMAN CATHOLIC Knight of Malta Joe Kennedy. Yes, it was Joe Kennedy who told all the leading Jews NOT TO SCREENPLAY anything negative about Adolph Hitler! Then later on, it was ROMAN CATHOLIC Knight of Malta Jack Valenti—another co-conspirator in the Kennedy Assassination and Cover-up—who headed the association for thirty-eight years (1966-2004)!

But let’s take a further look at the members of the association. The first is Walt Disney Motion Pictures Group. And who was Walt Disney? why yet another Knight of Malta! Pedophile Walt (a sexual pervert according to “presidential model” Arizona Wilder) was also the one who concocted two cartoons seven minutes long put upon the movie-going American people in the early 1940s to “go file their tax returns” during WWII, the second act of the Black Pope’s Second Thirty Years’ War (1914-1945) against once White Saxon Protestant Germany! Further, on the seventeen-member advisory board of Disney was none other than the acting president of Jesuit Georgetown University, Jesuit Leo J. O’ Donovan. See the link here.

But what about Warner Brothers? Well, in 1929 Greek shipping tycoon and Knight of Malta Spyros Skouros headed the Warner Brothers Theater Circuit making a profit during the Great Depression caused by foremost short-seller of stock, Knight of Malta Joe Kennedy. In 1933 papal knight and press lord William Randolph Hearst “the Chief” was brought into the fold, bringing his vast fortune and backing thus furthering the Black Pope’s pro-Roman Catholic, anti-Protestant motion picture monopoly. Randolf was also pro-Hitler and pro-Mussolini—a real Jesuit fascist to the core! In 1988 Warner Brothers entered into a five-year association with Disney, the Knights doing a most profitable business with one another! And in 1989 Warner merged with Time, Inc., creating Time-Warner. But what of it? Well, apostate Protestant Knight of Malta Henry R. Luce—another co-conspirator in the Kennedy assassination and cover-up who purchased the Zapruder Film for 150,000 non-redeemable Federal Reserve Notes—was the founder of Time, Inc., and his successor-knights continued to do business as usual within the brotherhood!

The list of actors employed by these papal criminals is most impressive. There was Roman Catholic Sicilian-born Knight of Malta Frank Capra who was the industry’s leading producer during the 1930s. Three leading actors during the 1940s through the 1960s were Italian Roman Catholic Anthony Quinn, Black race-mixer Sammy Davis, Jr. (who upon his arrival to Reno for his gaming “shows” was assigned two whores by the pope’s Mafia, one White, the other Black), and another Black race-mixer Sidney Poitier (“Guess Who’s Coming to Dinner”)—also a Knight of the Equestrian Order and most faithful Roman Catholic living in Rome today. (Yes, it is the Order’s Hollywood Whorehouse having shoved wicked amalgamation and miscegenation down the throats of both American Whites and Blacks branding anyone who dissented as a “racist and a bigot!”

Today, notorious Knights of Malta among Hollywood producers and the Screen Actors Guild are such debauchees as Roman Catholic Jack Nicholson (having fathered several illegitimate children), Roman Catholic Sylvester Stallone (“Rambo” and “Rocky”), Christian Science Tom Cruise (leading actor in the anti-King James Bible flick, “A Few Good Men,” and “Eyes Wide Shut,” the last movie of murdered director Knight of Malta Stanley Kubrick who told too much in that sexually explicit, nearly pornographic film), Roman Catholic Robert De Niro (who played the devil in “Angel Heart” and married a Black actress setting “a good example” for ignorant, young, race-mixing White Americans to follow!), Roman Catholic Al Pacino (who also played the devil in “The Devil’s Advocate” and whose speech at the end of the movie could only have been written by Jesuits!), George Clooney (a personal agent for papal knight David Rockefeller and living in Italy), and Roman Catholic John Malkovich (leading actor in the violent “Con Air”), Nicolas Cage (who played the part of a fornicator with African Black women in “Lord of War”) and Knight of Malta Arnold Schwarzenegger (who, in “End of Days,” fought with the devil in a “good” Roman Catholic Church). All these guys are fornicating, race-mixing, amalgamating Knights of Malta and this is just the beginning of our sordid cast of characters.

Hollywood is merely “The Jesuit Theater,” nothing more! Jews involved are “papal court Jews,” worshiping their god Mammon, the pope being Satan’s human master of all Mammon. For the Military Company of Jesus, the Praetorian Guard of the Papal Caesar, has horded all the world’s gold in its central banks and has issued all the fiat currencies. This in turn has bound the world into one commercial orgy to climax with the final pope of Rome, murdered and risen from the dead, to be the Antichrist/Man-Beast ruling the world from the rebuilt City of Babylon immediately requiring all to bear his name, his mark or his number 666 to buy or sell.

Thus, Satan’s Jesuit Theater has played its part in the devil’s “Mystery of Iniquity.” And Roman Catholic Chris Dodd is now to continue the legacy.


The following is from another of my advisers.

Steven Saxton: Chairman, Founder, and CEO of Hollywood Studios International
Mr. Saxton oversees all creative, production, financial, marketing, and distribution operations of the company. Over the past 17 years of his career, Mr. Saxton has successfully provided financing for and assisted in numerous mergers and acquisitions in the entertainment, technology and oil industries. Mr. Saxton has developed, financed, and produced numerous film and music projects. Mr. Saxton began his career as Vice President at the NASD broker dealer 21st Century Securities. Mr. Saxton was instrumental in providing production funding to Silver Screen Partners, a $100 million partnership, for 18 Disney distributed movies including “Three Men and A Baby”, “Who Framed Roger Rabbit”, (winner of 4 Academy Awards), “Good Morning Vietnam”, and “Honey I Shrunk the Kids”. He then became an executive producer at Triad Entertainment, a film production company specializing in G-rated family films, in 1992.

In 1996, while working as Executive Producer on the Paramount Studios lot via a first look deal, Mr. Saxton founded Doc Hollywood Productions, Inc. He expanded into Doc Hollywood Records in 2001. In 2002 he founded Bop City Records with legendary producer/engineers Al Schmitt, Ed Cherney, and Elliot Scheiner, and then formed Doc Hollywood Kidz and Artist International Management in 2004. Mr. Saxton is a voting member of NARAS, the organization awarding Grammys in the Music Industry. In 2004, he was inducted as a Knight by the Knights of Malta Coptic Catholic. Sir Steven Saxton’s nomination has been endorsed by Grand Master H.S.H. Prince Antonio Ruspoli, approved by Cardinal Stephanos II, Patriarch of Alexandria, blessed by his eminence, Pope John Paul II and is on record at the Vatican in Rome .

See the above report here.
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