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Old 28-12-2009, 08:03 PM   #12
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Manly P. Hall The Secret Teachings of All Ages


Clement, one of the ante-Nicæan Fathers, describes, in the first century after Christ, the peculiar nature and habits of the phœnix, in this wise: "There is a certain bird which is called a Phœnix. This is the only one of its kind and lives five hundred years. And when the time of its dissolution draws near that it must die, it builds itself a nest of frankincense, and myrrh, and other spices, into which, when the time is fulfilled, it enters and dies. But as the flesh decays a certain kind of worm is produced, which, being nourished by the juices of the dead bird, brings forth feathers. Then, when it has acquired strength, it takes up that nest in which are the bones of its parent, and bearing these it passes from the land of Arabia into Egypt, to the city called Heliopolis. And, in open day, flying in the sight of all men, it places them on the altar of the sun, and having done this, hastens back to its former abode. The priests then inspect the registers of the dates, and find that it has returned exactly as the five hundredth year was completed."

Although admitting that he had not seen the phœnix bird (there being only one alive at a time), Herodotus amplifies a bit the description given by Clement: "They tell a story of what this bird does which does not seem to me to be credible: that he comes all the way from Arabia, and brings the parent bird, all plastered with myrrh, to the temple of the sun, and there buries the body. In order to bring him, they say, he first forms a ball of myrrh as big as he finds that he can carry; then he hollows out the ball, and puts his parent inside; after which he covers over the opening with fresh myrrh, and the ball is then of exactly the same weight as at first; so he brings it to Egypt, plastered over as I have said, and deposits it in the temple of the sun. Such is the story they tell of the doings of this bird."

Both Herodotus and Pliny noted the general resemblance in shape between the phœnix and the eagle, a point which the reader should carefully consider, for it is reasonably certain that the modern Masonic eagle was originally a phœnix. The body of the phœnix is described as having been covered with glossy purple feathers, while its long tail feathers were alternately blue and red. Its head was light in color and about its neck was a circlet of golden plumage. At the back of its head the phœnix had a peculiar tuft of feathers, a fact quite evident, although it has been overlooked by most writers and symbolists.

The phœnix was regarded as sacred to the sun, and the length of its life (500 to 1000 years) was taken as a standard for measuring the motion of the heavenly bodies and also the cycles of time used in the Mysteries to designate the periods of existence. The diet of the bird was unknown. Some writers declare that it subsisted upon the atmosphere; others that it ate at rare intervals but never in the presence of man. Modern Masons should realize the special Masonic significance of the phœnix, for the bird is described as using sprigs of acacia in the manufacture of its nest.

The phœnix (which is the mythological Persian roc) is also the name of a Southern constellation, and therefore it has both an astronomical and an astrological significance. In all probability, the phœnix was the swan of the Greeks, the eagle of the Romans, and the peacock of the Far East. To the ancient mystics the phœnix was a most appropriate symbol of the immortality of the human soul, for just as the phœnix was reborn out of its own dead self seven times seven, so again and again the spiritual nature of man rises triumphant from his dead physical body.

Mediæval Hermetists regarded the phœnix as a symbol of the accomplishment of alchemical transmutation, a process equivalent to human regeneration. The name phœnix was also given to one of the secret alchemical formula. The familiar pelican of the Rose Croix degree, feeding its young from its own breast, is in reality a phœnix, a fact which can be confirmed by an examination of the head of the bird. The ungainly lower part of the pelican's beak is entirely missing, the head of the phœnix being far more like that of an eagle than of a pelican. In the Mysteries it was customary to refer to initiates as phœnixes or men who had been born again, for just as physical birth gives man consciousness in the physical world, so the neophyte, after nine degrees in the womb of the Mysteries, was born into a consciousness of the Spiritual world. This is the mystery of initiation to which Christ referred when he said, "Except a man be born again, he cannot see the kingdom of God" (John iii. 3). The phœnix is a fitting symbol of this spiritual truth.

European mysticism was not dead at the time the United States of America was founded. The hand of the Mysteries controlled in the establishment of the new government, for the signature of the Mysteries may still be seen on the Great Seal of the United States of America. Careful analysis of the seal discloses a mass of occult and Masonic symbols, chief among them the so-called American eagle--a bird which Benjamin Franklin declared unworthy to be chosen as the emblem of a great, powerful, and progressive people. Here again only the student of symbolism can see through the subterfuge and realize that the American eagle upon the Great Seal is but a conventionalized phœnix, a fact plainly discernible from an examination of the original seal. In his sketch of The History of the Seal of the United States, Gaillard Hunt unwittingly brings forward much material to substantiate the belief that the original seal carried the Phœnix bird on its obverse surface and the Great Pyramid of Gizeh upon its reverse surface. In a colored sketch submitted as a design for the Great Seal by William Barton in 1782, an actual phœnix appears sitting upon a nest of flames. This itself demonstrates a tendency towards the use of this emblematic bird.

On the left is the bird's head from the first Great Seal of the United States (1782) and on the right the Great Seal of 1902. When the first great Seal was actually cut, the bird represented upon it was very different from the eagle which now appears; the neck was much longer and the tuft of feathers, at the upper back part of the head was quite noticeable; the beak bore little resemblance to that of the eagle; and the entire bird was much thinner and its wings shorter. It requires very little imagination to trace in this first so-called eagle the mythological Phœnix of antiquity. What is more, there is every reason why a phœnix bird should be used to represent a new country rising out of an old, while as Benjamin Franklin caustically noted, the eagle was not a bird of good moral character!
If any one doubts the presence of Masonic and occult influences at the time the Great Seal was designed, he should give due consideration to the comments of Professor Charles Eliot Norton of Harvard, who wrote concerning the unfinished pyramid and the All-Seeing Eye which adorned the reverse of the seal, as follows: "The device adopted by Congress is practically incapable of effective treatment; it can hardly (however artistically treated by the designer) look otherwise than as a dull emblem of a Masonic fraternity." (The History of the Seal of the United States.)

The eagles of Napoleon and Cæsar and the zodiacal eagle of Scorpio are really phœnixes, for the latter bird--not the eagle--is the symbol of spiritual victory and achievement. Masonry will be in a position to solve many of the secrets of its esoteric doctrine when it realizes that both its single- and double-headed eagles are phœnixes, and that to all initiates and philosophers the phœnix is the symbol of the transmutation and regeneration of the creative energy--commonly called the accomplishment of the Great Work. The double-headed phœnix is the prototype of an androgynous man, for according to the secret teachings there will come a time when the human body will have two spinal cords, by means of which vibratory equilibrium will be maintained in the body.

Not only were many of the founders of the United States Government Masons, but they received aid from a secret and august body existing in Europe, which helped them to establish this country for a peculiar and particular purpose known only to the initiated few. The Great Seal is the signature of this exalted body--unseen and for the most part unknown--and the unfinished pyramid upon its reverse side is a trestleboard setting forth symbolically the task to the accomplishment of which the United States Government was dedicated from the day of its inception.

Concerning Hall’s quote… “The eagles of Napoleon and Cæsar and the zodiacal eagle of Scorpio are really phœnixes, for the latter bird--not the eagle--is the symbol of spiritual victory and achievement.”
Let us consider this painting by the French Neo-Classicist Ingres entitled Napoleon on his Imperial Throne In this painting the phoenix bird appears below Napoleon. To the viewers left of the painting are zodiacal signs or constellations. Most notably are Virgo, Libra, and Scorpio. As discussed Scorpio is an eagle or as Manly Hall states…”….really phoenixes”.

Here is some more information concerning the number 9 from Manly P. Hall;

The ennead--9--was the first square of an odd number (3x3). It was associated with failure and shortcoming because it fell short of the perfect number 10 by one. It was called the called the number of man, because of the nine months of his embryonic life. Among its keywords are ocean and horizon, because to the ancients these were boundless. The ennead is the limitless number because there is nothing beyond it but the infinite 10. It was called boundary and limitation, because it gathered all numbers within itself. It was called the sphere of the air, because it surrounded the numbers as air surrounds the earth, Among the gods and goddesses who partook in greater or less degree of its nature were Prometheus, Vulcan, Juno, the sister and wife of Jupiter, Pæan, and Aglaia, Tritogenia, Curetes, Proserpine, Hyperion, and Terpsichore (a Muse).

The 9 was looked upon as evil, because it was an inverted 6. According to the Eleusinian Mysteries, it was the number of the spheres through which the consciousness passed on its way to birth. Because of its close resemblance to the spermatozoon, the 9 has been associated with germinal life.
Prometheus the Greek Titan who stole fire from the gods for the use of mankind. James H. Billington in his book Fire in the Minds of Men states;

A recurrent mythic model for revolutionaries – early romantics, the young Marx, the Russians of Lenin’s time - was Prometheus who stole fire from the gods for the use of mankind. The Promethean faith of revolutionaries resembled in many respects the general modern belief that science would lead men out of the darkness into the light. But there was also a more pointed, millennial assumption that, on the new day that was dawning, the sun would never set. Early during the French upheaval was born a “solar myth of revolution,” suggesting that the sun was rising on a new era in which darkness would vanish forever. This image became implanted “at a level of consciousness that simultaneously interpreted something real and produced a new reality.”

The new reality they sought was sought was radically secular and stridently simple. The ideal was not the balanced complexity of the new American federation, but the occult simplicity of its great seal: an all-seeing eye atop a pyramid over the words Novus Ordo Seclorum
Keeping Billington’s quote in mid lets reintroduce Hall’s previous quote.

Not only were many of the founders of the United States Government Masons, but they received aid from a secret and august body existing in Europe, which helped them to establish this country for a peculiar and particular purpose known only to the initiated few. The Great Seal is the signature of this exalted body--unseen and for the most part unknown--and the unfinished pyramid upon its reverse side is a trestleboard setting forth symbolically the task to the accomplishment of which the United States Government was dedicated from the day of its inception.
What is this secret august body in which Hall speaks? Was it the Order of Illuminists; founded by Adam Weishaupt on May 1, 1776. The same Weishaupt funded by the Rothschild’s? The same Rothschild’s who are mentioned in the same category with the Rockefellers? The same Rockefellers who have a giant sculpture of Prometheus in Rockefeller center?

Prometheus who brought man the gift of fire was punished for his sin by Zeus. He brought man the gift of fire on a bundle of sticks; sticks of fennel. Fennel is a symbol that one is worthy. Promethus stole the fire which represents knowledge and intellect (illumination) to makind on sticks of fennel. Prometheus was chained to a rock in the Caucusus for all eternity. Each day Prometheus had his liver eaten out by an eagle. Each day his liver was renewed and it was eaten again in torcher.

In the above picture you will notice the evergreen tree that is placed directly above the sculture of Prometheus. Manly Hall discusses the symbolism of the evergreen/pine/sprig of acacia;

It is quite possible that much of the veneration accorded the acacia is due to the peculiar attributes of the mimosa, or sensitive plant, with which it was often identified by the ancients. There is a Coptic legend to the effect that the sensitive plant was the first of all trees or shrubs to worship Christ. The rapid growth of the acacia and its beauty have also caused it to be regarded as emblematic of fecundity and generation.

The symbolism of the acacia is susceptible of four distinct interpretations: (1) it is the emblem of the vernal equinox--the annual resurrection of the solar deity; (2) under the form of the sensitive plant which shrinks from human touch, the acacia signifies purity and innocence, as one of the Greek meanings of its name implies; (3) it fittingly typifies human immortality and regeneration, and under the form of the evergreen represents that immortal part of man which survives the destruction of his visible nature; (4) it is the ancient and revered emblem of the Mysteries, and candidates entering the tortuous passageways in which the ceremonials were given carried in their hands branches of these sacred plants or small clusters of sanctified flowers.


As the legend of CHiram Abiff is based upon the ancient Egyptian Mystery ritual of the murder and resurrection of Osiris, it is natural that the sprig of acacia should be preserved as symbolic of the resurrection of CHiram. The chest containing the body of Osiris was washed ashore near Byblos and lodged in the roots of a tamarisk, or acacia, which, growing into a mighty tree, enclosed within its trunk the body of the murdered god. This is undoubtedly the origin of the story that a sprig of acacia marks the grave of CHiram. The mystery of the evergreen marking the grave of the dead sun god is also perpetuated in the Christmas tree.

"The Red Children of the Sun," writes James Morgan Pryse, "do not worship One God. For them that One God is impersonal, and all the Forces emanated from that One God are personal. This is the exact reverse of the popular western conception of a personal God and impersonal working in nature.......These Children of the Sun adore the Plumed Serpent, who is the messanger of the Sun. He was the God Quetzacoatl in Mexico, Gucumatz in Quiche; and in Peru he was called Amaru. From the latter name comes our word America. Amaruca is, literally translated, 'Land of the Plumed Serpent.' ........In the Quiche tongue Gucumatz is the exact equivalent of Quetzalcoatl in the Nahuatl language; quetzal, the bird of Paradise; coatl, serpent - 'the Serpent veiled in plumes of the paradise-bird'!"
With this in mind, the Bird of Paradise is the Mexican Bird of Paradise which is the Phoenix. I believe this to be the bird of the United States Great Seal; which is on the back of the one dollar bill not the bald eagle. I find it fascinating that Queztalcoatl is associated with the planet Venus and is also known by the name "The Morning Star". Lucifer is referred to as "The Morning Star". Another interesting connection here is the Lapis Exilis "a mystic stone that was used by the Phoenix to regain its youth". Manly P. Hall states in The Secret Teachings of All Ages that the Lapis Exilis, crown jewel of the Archangel Lucifer fell from Heaven". The Archangel Michael is said to have "swooped down upon Lucifer....with his flaming sword struck the flashing Lapis Exilis from the coronet of his adversary, and the green stone fell..."

Lapis Exilis is a latin word. Lapis meaning stone or gem and Exilis coming from exillium which means exile or banishment. As we know Lucifer was banished from heaven. Lucifer lost this stone symbollicaly. The gem was green/emeral. Green is the color of prosperity, growth, fecundity, and youthfulness. Lucifer lost all this in symbolism. That symbolism is represented in this sculpture by ninteenth centruty artist Guilluame Geefs; if you look at Lucifer's crown you will see the missing stone. The broken crown. You will also see a broken sceptor and an inverted star or Pentagram. Symbolizing the fall of the Morning Star. Take note that Lucifer is chained to a rock; like Prometheus was.

The Apocalypse is to those who recieve the ninteenth degree, the Apotheosis of that Sublime Faith which aspires to God alone, and despises all the pomps and works of Lucifer. Lucifer, the Light-bearer!Strange and mysteries name to give to the Spirit of Darkness! Lucifer, the Son of the Morning! Is it he who bears the Light, and with its splendors intolerable blinds feeble, sensual, or selfish Souls! Doubt it not! for traditions are full of Divine Revelations and Inspirations: and Inspiration is not of one Age nor of one Creed.

Albert Pike Morals and Dogma p.321

Last edited by thedefender; 28-12-2009 at 09:06 PM.
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