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The one & only Billy Shears aka. Paul McCartney thread


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38 minutes ago, SuperstarNeilC said:

Julian Lennon has also been replaced.


Last week he released a new album:





Don't really know enough about Julian to spot any switch. He was a lot younger when he had hits, and so the fact he looks unrecognisable now doesn't say a lot to me. He seems to like using pics of himself as a kid on the album covers though. Is that another part of the whole mk-ultra thing.

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9 minutes ago, Anti Facts Sir said:

Is that another part of the whole mk-ultra thing.


I am starting to understand that the birth of Rock N' Roll, The Tavistock Institute, and the Laurel Canyon musicians are all eyeball deep in the mk-ultra thing. You mentioned the Stones in an earlier post that prompted me to do a few searches. I found some articles and learned details that have to be more than just coincidental. Unfortunately I grew up liking most of these musicians and bands and it's a let down to learn these revelations. 


The Manufactured Invention of the Beatles, Stones, Grateful Dead and the Birth of Rock n’ Roll by the Tavistock Institute; A Jesuit Corporation



Laurel Canyon: Haven of Peace, Love and Military Intelligence





Paul and John giving Masonic Illuminate Hand signals on Yellow Submarine album cover. Paul with the “666” hand sign, John with the Horned Hand




The Rolling Stones were mastered by a Order of Malta member by the name of Prince Rupert Loewenstein who sponsored the ‘Sympathy for the Devil‘ track back in 1968. This Prince was also a member of the very powerful Sacred Military Constantinian Order of St George which is close in power to the Equestrian Order of the Holy Sepulchre of Jerusalem, both being higher than the Order of Malta. (The Order of Malta, SMOM, is the military arm of the Vatican here)


I guess I'm going to find other music to relate to.


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Really they were they just the primary mover in a wider Counter Cultural Psy-op. In Britain it was driven by the Twin Pillars (they enjoy the symbolism) of The Beatles & The Stones. Both equally controlled, both operating out of the same agenda, and from the same source. Tavistock / British Masonic Deep State, working in collusion with their Masonic brothers in the CIA, who did likewise with the Laurel Canyon set.

The motives behind this were manifold, and decreed from the very top of the Illuminati power structure.

Firstly there was the practicality of control the looming, & potentially problematic, Boomer demographic, shepherd them (hi Billy!) away from any credible anti-establishment movements, & control the opposition.


Have them act like babbling twats singing about gnomes, staying in bed for a week in the name of "peace", putting flowers in the guns of policemen, & looking like unwashed bearded and outlier weirdos, so if they got close to calling out the real Money-Power, they would seem risible to the wider public.


Secondly, but equally valid for them, was the attack on Christianity, and a move towards "the Age of Aquarius" & a Dionysusian age of excess & degeneracy. The popularisation of the Luciferian 'New Age' movement, the fracturing of the post-war European psyche away from the traditional, and towards a million & one distractions, in the guise of exoticism, the destruction of the traditional family unit, foreign pagan mysticism, & widespread 'psychedelic' drug use.


Only through seismic social change, engendered by these kind of seemingly frivolous pop groups, that acted as wolves in sheep's clothing, could the subsequent capture of Academia, and widespread mainstream Film & TV, & wider culture occur.


The 60s, & the Counter Cultural psy-op, were the planting of the seeds that have now grown into fully fledged Cultural Marxism hold over pretty much every fabric of Western countries institutions.


The only response to this is to recognise it, turn towards Christ and away from the false idols that occultist manipulators have placed in front of Western society in the last century.

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Assuming this is  a manufactured “boy band” social engineering project. 

So it would have all have been mapped out in advance, all replacements and nuances pre-planned. - Everything timed to perfection, so it all plays out seamlessly (which it has done). So if it was pre-planned, how come this completely “random” car crash. - If Paul died physically, or had a mental breakdown, or injured his hand and couldn’t play guitar anymore and was thus replaced it would all be too convenient. - He “died” and Faul “just happened” to be waiting in the wings (no pun intended).

What if there was NO car crash ? - What would Faul have done then ? The car crash is central to the “Paul Is Dead” mythology.

I don’t think there *was* a car crash. - It was all part of the psy-op. - The radio announcement happened, but it was a lie, a ruse, to set the PID rumours in motion.

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