David Bowie the link between Transhumanism and Transgender ⚧ Agenda - Mind Control - What are “The Cobalt Wars”? - Black Noise/Sound Bomb 💣 Club of Rome “Sustainable Development” Scam

[DannyUK]

 

I’ll put this out here and suggest that David Bowie is a product of military intelligence mind control and psychological manipulation to engineer public consent, by engaging with a certain target audience and selling a perception.

Keep in mind, I’m a conspiracy theorist so I say this about a lot of people

Anyone mainstream are maintained to sell you an image, anyone against the grain you’ll never hear of and they will be destroyed before they start.

This is completely about control. Creating archetypal figures and then using them as a symbol to produce a psychological impact - broadcasting/spell casting Magick.

 

This is ultimately why all forms of mind control take place within the media.

They’re to act as archetypal figures to spin psychological operations, through symbolism, entrainment and psychological trickery conjured up by the likes of the Tavistock Institute of Human Relations.

Tavistock - These are prevalent throughout msm of artists and actors to engineer perception and impact consciousness.

Sometimes simply by the use of words, phrases Neuro-linguistic programming (NLP).

Most of the occult rock gods all have root within military intelligence and that is because of these mind control techniques.

 

David Bowie fulfils one of the earliest roles of Transgender to Transhumanism psychological yarns…

 

Anyone with any sort of interest with COVID and this “moronic” variant Omicron should have come across David Bowie in a game from 1999/666 - Nomad Soul by now…

In that game, he mentioned something called “The Cobalt Wars”…

 

 

Omicron - Omikron: The Nomad Soul - What are the Cobalt Wars that are referenced here?

Is this only for the game, or is there something more to this?

 

In another interview you will hear him discuss “the sound bomb”, aka a black noise bomb?

This is about using sound as a weapon to destroy a city or whole mass areas.

“Raising vibrations of sound to match that of a glass and it breaks. 
it is a register in which you can crack a city, a people. A noise bomb,

Quite literally “an atom bomb” you use sound to shatter and break the frequency of “a thing” whatever the frequency, the signature of the thing which is being targeted…

 

Black Noise - Sound Bomb - Used as a method of population control? - Sound/Technology 

 

 

What is a Cobalt Bomb?

 

 

This is a must watch to understand the intentions of The Club of Rome and their like - Manifestation of Globalists New World Order Syndicates - in the 1970’s which continues today…
I’ve posted this video many times previously on the forum.

 

Alan Watts is laying out the foundations of the conspiracy here, in his own right and way, whilst being within disagreement with it’s designs, fundamentally believing we don’t have a brain big enough to compute, comprehend all the various elements and variables to know what impact our actions may have, even if we believe them to be good and positive at first, that we fundamentally shouldn’t intervene.

This is obviously of little consequence to the control freaks behind this, they want to justify intervention and exploit means and methods of framing why that intervention has to take place in a way and means that they can get society to not only accept and go along with it, but so they demand it through psychological conditioning to achieve said outcome.

This is ultimately leading to the scope of assimilation - A.I. Artificial Intelligence, supposed to betted aid us in mastering our own reality by being able to compute enough variables that even if a human could/does process can’t do so on a conscious level as to achieve affect by doing so, which is the goal to order and change society in a way that can be framed as making sense logically but that if you disagree with it, it’s because you’re not “SMART”, not intelligent enough to understand why this needs to be the case because A.I. and experts tell us so and all agree…

I don’t know if Alan Watts had grasped the idea that these people where trying to fool society through these methods into accepting an agenda by impressing upon them fear based scenarios to ensure mass compliance, or if he really believed these people where trying to stage a plan and method of how to implement such methods, should certain scenarios manifest for the genuine “greater good” - This is obviously the light under which many people who do, participate within such events.

 

In truth, this and events like this are obviously used by this death cult to pick minds of intellectuals whom feel superior and so, have a chip on their shoulder for having even been selected to take part in such an event and as such, are eager to please and display their intelligence rather than question the guise and merit of those who are requesting and summoning their intelligence. Could this be in any way to exploit people by psychologically framing for instance?

As this impressing upon society I would be the greatest tool of tyrants and fascists.

This thought process and anything to do with ethics must never pass though these intellectuals thinking process because they’ve already bought into this on the pretence of if they do, they’re intelligent

Best not to question those who are otherwise going to brand me intelligent enough to participate within such an event…

 

 

Knowledge gained from such an event can create a road map to manifest destiny, plans based on this research to impress an agenda, even if such “certain events/scenarios” aren’t actually taking place and may only be being discussed theoretically, once the insight is gained, that theoretical exercise becomes “fact” as they know how best to run it.

Simply getting society to believe “this is serious and important” enough to justify their preconceived ideals for society.

This is ultimately the agenda of Climate Change - Covid - Population Control - The Hunger Games to spin ideals of sustainable development in order to even survive. The same with engineered disasters, weather modification etc

 

If you’re a “liberal” who believes this, the idea is a bunch of greedy “capitalist” - Aka Cronies/Crooks/Cartel “elitist's” types - responsible for harbouring all the nations wealth within the 1% of the masses, who are responsible for raping the environment for profit and waging war on every front, apparently they all want to save us from ourselves whilst not being able to see/stop and acknowledge their own hypocrisy within this regard and how they’re the leading cause of such concern that is being pushed on society as if we are living within a socialist society?

In this regard, the problem is handled as if we live within a socialist society, placing responsibility and blame upon the shoulders of everyone to pull through, yet, the cause and “rewards” gained from this exploitation are massively kept within that 1% and in no way does the mass of society being blamed from this, gain from this exploitation.

This exploitation exists so not only can our environment be exploited, but so it’s exploitation can be used to exploit the people and impositions can be made upon the individual by tyrants acting as corporate interests, through their lackey's and puppets, such as lawyers and politicians!

 

“They’re doing this truthfully as a way and means of progress whilst being mindful about the environment and others.” This is on the face of it, what is being made to be seen as happening, while really, this is about inducing the need to alter peoples lives, cultures and produce a unified culture, one people, one society. A New World Order…

These people couldn’t care less about others and the environment.
They care only for themselves at the expense of others and this is all about Control.

 

 

They want to introduce so called “sustainable” models of living within society, in the guise of “less means more” for you and me and they then harbour the real wealth and resources of the world for themselves, whilst people are detached more and more from this physical plane of existence and placed within the Transhumanist Virtual Subreality - Metaverse.

The idea is, to create at least the idea of a cataclysmic like event that leaves mass parts of the world “uninhabitable”.

That this can be bought into and believed by playing upon peoples superstitions, beliefs and exploiting various religions.

Not least, Christianity to achieve this aim, whilst engaging people into this so they accept what’s happening and hope for the best, but not see this as an exploitation that it is!

Once this is achieved, they will place the majority of society within human settlement zones so we all live in “SMART” tower blocks.

 

This is Agenda 21/30 a plan to create this type of outcome, regardless of when or how it manifests, this is what they want to sell people!

 

 

These tower blocks will be fenced off from mass zones/land areas said to either be nature reserves which means, can’t be settled by humans or, that those zones have been impacted/devastated with nuclear fallout and the likes, containment zones of biological disasters etc etc so people will be fearful of even venturing into those zones…

 

Oblivion - Revelation of the Method

 

They’re firing on Survivors

 

Are we going to die?

Demolition “of” Man is totally about this and the division of society between the order followers - their “normalists” of society - and the push backers - hunger games society forced underground into the sewers - The Scraps…

 

All so people can be farmed in a smaller and smaller zoo, whilst the mass of the world will be left to the 1% to settle, whilst not being interrupted by the presence of other civilians obscuring the landscape, making their noise and producing their foul odour’s.

The inconvenience of these tower blocks that will be sold society as a matter of necessity of survival, will be handled by all the outlets of “escapism” in many ways from socialising, and a general “normal lifestyle” routine, will all be taking place virtually within the sub reality fantasia, the Metaverse, a virtual reality that can be entered into from your bedroom/office from within the tower block.

This is my suspicion, a lot like Surrogates, only it will appear like this “better you” and it will be within a virtual reality without as much need or dependency upon the physical plane as shown within the movie.
Those behind this want the mass of the physical plane for themselves whilst thinning society and squishing the rest into a small confined prison cell that society are being instructed to build for themselves, by exploitation of mass consciousness.

From within this sub reality by the use of this virtual reality, it may all appear exactly like reality of a previous era before this devastation we have been sold that put us within concentration camp tower blocks and this technological prison will be sold us as “a way out”, a coping strategy, something even better than reality where everyone can be happy and have what they want etc etc
A way back and the whole experience will be designed to make people feel better as if liberating not debilitating…

 

Club of Rome - Population Control Rhetoric - XXX

 

XXX - 666

♾ Plastic Soul

 

It is all Wars upon the Sun  

COVID to Climate Change 

 

https://forum.davidicke.com/index.php?/topic/12538-the-divine-silence-transhumanism-pure-consciousness%C2%A0-transformation-of-consciousness-true-evolution-soul-trap-meat-prison-or-gateway/

 

Edited December 9, 2021 by DannyUK

[Macnamara]

David Bowie was into kabbalah and other Jewish facts about the late icon

By Gabe Friedman January 11, 2016

Bowie racked up some interesting Jewish connections. Below, we give you five of them.

1. He was into kabbalah, and sang about it.

“Here are we, one magical movement from kether to malkuth,” Bowie sang in his 1976 song “Station to Station.” “Kether” and “malkuth” are two of the 10 elements of the kabbalistic tree of life — the highest and lowest parts, respectively. Despite being high on cocaine for most of the “Station to Station” album’s recording process and describing it years later as the work of “an entirely different person,” Bowie was fascinated with kabbalah during this period (decades before Madonna made it cool). The back cover of the “Station to Station” album features Bowie drawing the kabbalistic tree of life in chalk.

2. His first manager was Jewish.

Les Conn, born to a Jewish family in Stamford Hill, a traditionally Jewish part of London, failed to make much headway in the music business before connecting with the 17-year-old Bowie — then still going by his birth name, David Robert Jones — in 1964 through a mutual acquaintance, washing machine magnate John Bloom. Conn managed to get Jones’ first band some gigs, but he couldn’t sell his talent to The Beatles’ publisher, Dick James. When Conn’s contract with Jones expired, the rocker left for a new band and changed his name to Bowie — and the rest is history.

3. He was close to Jewish rockers Lou Reed and Marc Bolan (in different ways).

Bowie connected with Lou Reed, of the Velvet Underground, and pop artist Andy Warhol on a trip to the United States in 1971. He later produced Reed’s breakthrough solo album “Transformer” in 1972. When Reed died in 2013, Bowie called him “a master.”

Marc Bolan, lead singer of the glam rock band T-Rex, had a more complicated and competitive relationship with Bowie. The two teenagers became close friends early on in their careers when they were both managed by Conn.

Tension ensued when Bolan (who was born Mark Feld and ate Jewish soul food after concerts) found success years before Bowie did. But Bolan’s producer, Tony Visconti, eventually began devoting more of his time and energy to Bowie’s albums, which began climbing the charts as Bolan went downhill into alcohol and drug addiction. Nevertheless, according to the Daily Mail, after Bolan died in a 1977 car crash at 29, Bowie quietly gave financial support to Bolan’s wife and son.

4. He went through a bit of a Nazi phase.

In a drug-induced state leading up to the release of “Station to Station,” Bowie was criticized for saying in an interview that Adolf Hitler was “one of the first rock stars.” In the same month, he said Britain could “benefit from a fascist leader.”

Bowie later assumed a persona called the “Thin White Duke,” which has been described as an “emotionless Aryan superman.” In 1976, he drove up to London’s Victoria Station in a Mercedes convertible and gave what was reported to be a Nazi salute. Bowie denied the reports and later attributed his behavior to the copious amounts of drugs he was taking at the time.

5. He performed in Israel during one of the happiest stages of his life.

“I think I would have to be squeezed real hard to be happier,” Bowie said in 1996, fresh off a performance at Hayarkon Park in Tel Aviv. In a series of videos, Bowie said he and his band were in the midst of one of the best tours of his life. He had recently released the experimental album “Outside” and had several other creative projects in the works. “I’ve been trying to go here for years,” he said in one of the videos with a smile shortly after getting off his plane.

https://www.jta.org/2016/01/11/culture/david-bowie-5-jewish-facts-about-the-glam-rock-icon

 

[Anti Facts Sir]

Bowie was a complex, confusing, contradictory and rather odd creation. Alien one moment, totally normal "Dave" the next. They called him a chameleon or something like that.

 

Had no idea about the Omikron game (I was never into all that stuff). He was clearly damaged/traumatised (his brother killed himself in an asylum, I believe), but seemed to find some sort of peace by the end.

[Malbec]

https://vigilantcitizen.com/moviesandtv/labyrinth-starring-david-bowie-a-blueprint-to-mind-control/

 

I always thought the Labyrinth film had a message but when you watch crap like that as a kid, you don't really analyse it  

[KingKitty]

 

On 12/9/2021 at 3:43 PM, Anti Facts Sir said:

Bowie was a complex, confusing, contradictory and rather odd creation. Alien one moment, totally normal "Dave" the next. They called him a chameleon or something like that.

 

Had no idea about the Omikron game (I was never into all that stuff). He was clearly damaged/traumatised (his brother killed himself in an asylum, I believe), but seemed to find some sort of peace by the end.

He was a very talented artist whose work has been very instrumental in shaping the sound of modern popular music. I liked that he took chances with his music. He wasn't afraid to take risks with his musical career, like completely changing his style of music, even if the previous version proved to be popular and profitable. 

 

Funny enough, I actually have a sample version of that video game on a disc. It came with some other computer video game disc I bought years ago. I kept it because it has a cool Bowie picture on it. Now, I just need to find where I stashed it. I had figured it might have some eBay value after he passed, but now with this Covid connection, it might be worth more...lol

[RobSS]

2 hours ago, Malbec said:

https://vigilantcitizen.com/moviesandtv/labyrinth-starring-david-bowie-a-blueprint-to-mind-control/

 

I always thought the Labyrinth film had a message but when you watch crap like that as a kid, you don't really analyse it  

 

Sure the Labyrinth film has a message, but it's not crap. It's only crap for people who don't realise they're still not free.

 

"None are more hopelessly enslaved than those who falsely believe they are free." (Johann Wolfgang von Goethe)

 

It's actually a positive thing that you were able to detect that the film does have a message. All these kinds of films are telling us something about the nature of reality and the human condition.

 

The illuminati and Reptilian forces rely on people not understanding the message. "That's for children", most people say, but truly, it has been said, unless we change and become like little children, we will never enter the kingdom of heaven.

 

VG's review of the film isn’t fully correct. It's true the film is about mind control and that Bowie plays the role of Sarah’s handler. It's also true that Sarah accepts the internal world that Jareth (David Bowie) programmed into her. It's also true that, even after she breaks free of Jareth's mind control, she still needs him, so she hasn’t completely broken free of his mind control.

 

So VG's observations and comments about the film are mostly correct, but they're not fully correct because what VG hasn't revealed is that the Labyrinth that Sarah fell into is the same maze that came about after the Fall, when Adam and Eve were expelled from the garden of Eden. We are all, therefore, in “the Labyrinth”, whether we're aware of it or not.

 

The only way out of the Labyrinth is to understand the mind control that we've been placed under by the Fall, and that it can be broken, but first the Fall (in Sarah's case, the Labyrinth) has to be experienced and furthermore, acknowledged. In the Christian sense, this is process is similar to being born again, except that in Sarah's case, she doesn't turn to Christ, and as she doesn't know who else to turn to, in her future life, she can only fall back on her handler, Jareth, when things start getting confusing and difficult again.

 

So VG is correct in noting that Sarah has not been fully redeemed because a part of her is still in the Labyrinth where Jareth could potentially influence her in the future. It's only Jesus Christ that can fully redeem anyone from the Matrix.

 

The same is the case with "The Wonderful Wizard of Oz" story because the overall plot structure is more or less the same as "Labyrinth".

 

Dorothy lived in blissful ignorance and therefore in natural innocence. She therefore, lived in a kind of golden age. She had a fall (the cyclone), and woke up in a world ruled by capitalistic forces and a Wizard of the Ancient Mystery Religion (cue capitalism and the illuminati of our 'real' world). Dorothy exposes the Wizard (Apocalypse and Revelation) and finds herself back in Kansas, back amongst humans, but with the knowledge and experienced she’d gained from her adventure “over the rainbow”.

 

The Bible has the same overall plot structure:

 

1. The Garden of Eden
2. The Fall - Then a long confusing journey (in the ‘Matrix’ or ‘Labyrinth’), and a quest for a return to innocence – a quest for something important that was lost, The journey leads through a world of corruption and mind control, under magical Reptilian forces. This long journey ends with an end time, i.e., at the end of the journey, everything is revealed (Apocalypse), and there are huge Revelations for the world. Finally, there's a showdown with the forces of evil that control our planet, and redemption for those that developed a soul and never sold out.
3. A return to innocence – With an experienced and developed soul, life can be enjoyed in a new golden age, and one that’s not controlled by Reptilian forces or aliens posing as our saviours.

 

So, not only does VG not fully review these stories correctly, but Fritz Springmeier also came to the same misleading conclusion, many years earlier.

 

 

Edited December 17, 2021 by RobSS

[Anti Facts Sir]

Must admit I assumed Labyrinth was a lot of kids stuff with muppets! At least it makes sense why Bowie got involved with the project.

[RobSS]

I'm not saying anyone must start studying Labyrinth or the Wizard of Oz type of stories.

 

It's still possible to get through life without reading and learning from these stories, and still retain being a perfectly normal person.

 

All I'm saying is that these stories contain a lot of interesting insights into the human condition, and how we are controlled.

 

As J.C. once said, "Be wise as Serpents (but gentle as Doves)". It's the latter part that Serpents have a real problem with because they don't know empathy, and there's nothing in their Ancient Mystery School religion that teaches, or shows, forgiveness.

 

These stories are basically fairy tales. Just like Hansel and Gretel and Little Red Riding Hood. Apart from "Once upon a time...", they all start with a state of childlike innocence, there's a fall, a long journey of searching and revelation, and then a return to innocence with an enhanced soul, full of experience and wisdom.

 

They're really stories about growing up and how to become an adult.

 

These stories create wonder and awe, two fabulous ingredients for fighting depression, ennui and boredom, and for remaining young in heart and mind. Feeling jaded? Watch a film or read a good quality children's story that was written or produced for adults in mind.

 

David Bowie had that kind of mind. He may have gone too far. Did he sell his soul? That's where knowledge can get dangerous because it can tempt someone to pursue fame and power for fame and power's own sake.

 

Mind controllers and the powers that be don't want anyone learning wisdom from children's stories. Why do you think that’s where wisdom is hidden? Children's stories were the best place to hide information from those who might otherwise learn the ability to challenge the powers that be.

 

The powers that be know most people won’t look at children’s stories for spiritual nourishment. That’s why the most initiated ones, like Walt Disney (33^rd degree Freemason), and Frank L. Baum (theosophist, Wizard of Oz), put so much of what they knew (of what only initiates would know), into their films and stories. Adults sent their kids to see the films. The kids grew up like their parents, thinking that children’s stories were only for children, and so a lot of people have learned nothing of what the powers that be (had a lot of fun) putting into their films.

 

What else better to do is there, between one street protest, and the next, that will uplift the spirit, enhance the soul, and keep away the doldrums?

 

 

Edited December 17, 2021 by RobSS

[RobSS]

One thing I didn't properly acknowledge is that Fritz Springmeier is right to say films like Labyrinth and The Wizard of Oz can be used for MK-Ultra mind programming, but it's not why the film was made, or why Frank L. Baum wrote the book, which was clearly an allegory or metaphor for the political, economic, and social events of the USA in the 1890's. The film really does expose the cabal's agenda and how people are mind control. 

 

Words and literature can be used for sinister purposes, just like sex and drugs can have sinister effects when young people are abused, but that doesn't mean that sex, words and literature are all evil. To say that a knife has been used to stab someone, and then claim all knives are evil is ridiculous because we all know that knives can be useful for doing good things.

 

What this illustrates is the level to which the mind control trauma has pervaded and affected even those looking for truth and understanding. I'm sure Fritz Springmeier meant well, but he threw the baby out with the bathwater in claiming that The Wizard of Oz is used by mind control handlers as a programming script to train the slaves, when he doesn't clarify that there's nothing wrong with the source material in and of itself.

 

This fantasy world that's at the heart of these stories is what gives culture a soul. If it's demonised, then souls will wither and society will die. If fantasy is denied, the only winner is the intellect, which always wants to make the spirit its slave, and so tyranny ensues. Fantasy is replaced by medication, pills, medical procedure and vaccines.

 

 

 

[KingKitty]

27 minutes ago, RobSS said:

One thing I didn't properly acknowledge is that Fritz Springmeier is right to say films like Labyrinth and The Wizard of Oz can be used for MK-Ultra mind programming, but it's not why the film was made, or why Frank L. Baum wrote the book, which was clearly an allegory or metaphor for the political, economic, and social events of the USA in the 1890's. The film really does expose the cabal's agenda and how people are mind control. 

 

Words and literature can be used for sinister purposes, just like sex and drugs can have sinister effects when young people are abused, but that doesn't mean that sex, words and literature are all evil. To say that a knife has been used to stab someone, and then claim all knives are evil is ridiculous because we all know that knives can be useful for doing good things.

 

What this illustrates is the level to which the mind control trauma has pervaded and affected even those looking for truth and understanding. I'm sure Fritz Springmeier meant well, but he threw the baby out with the bathwater in claiming that The Wizard of Oz is used by mind control handlers as a programming script to train the slaves, when he doesn't clarify that there's nothing wrong with the source material in and of itself.

 

This fantasy world that's at the heart of these stories is what gives culture a soul. If it's demonised, then souls will wither and society will die. If fantasy is denied, the only winner is the intellect, which always wants to make the spirit its slave, and so tyranny ensues. Fantasy is replaced by medication, pills, medical procedure and vaccines.

 

 

 

L. Frank Baum was editor of a South Dakota newspaper and he wrote the first of his Oz series on Bryan’s second attempt in 1900.

• Oz is short for ounce, the measure for gold and silver.
• Dorothy, hailing from Kansas, represents the commoner.
• The Tin Woodsman is the industrial worker, rusted as solid as the factories shut down in the 1893 depression.
• The Scarecrow is the farmer who apparently doesn’t have the wit to understand his situation or his political interests.
• The Cowardly Lion is Bryan himself; who had a loud roar but little political power.
• The Good Witches represent the magical potential of the people of the North and the South.

 

After vanquishing the Wicked Witch of the East (the Eastern bankers) Dorothy frees The Munchkins (the little people). With the witch’s silver slippers (the silver standard), Dorothy sets out on the Yellow Brick Road (the gold standard) to the Emerald City (Washington), where they meet the Wizard (the President), who appears powerful, but is ultimately revealed as an illusion; the real Wizard being just a little man who pulls levers behind a curtain.

 

This can be interpreted in two ways: Either, the President himself is really just a little man who pulls levers to sustain an illusion of power, or, the real power of the President rests with the little men behind the curtains who pull the levers and create the illusion.

 

When the real Wizard is exposed, the now enlightened Scarecrow denounces him. Dorothy drowns the Wicked Witch of the West (the West Coast elite); the water being an allegory for the Midwest drought. The real Wizard flies away in a hot-air balloon, the Scarecrow is left to govern the Emerald City, the Tin Woodsman rules the West, and the Cowardly Lion returns to the forest where he becomes King of the Beasts after vanquishing a giant spider which was devouring the animals in the forest.

 

Note: Dorothy’s silver slippers were changed to ruby in the 1939 film.

[RobSS]

22 minutes ago, KingKitty said:

L. Frank Baum was editor of a South Dakota newspaper and he wrote the first of his Oz series on Bryan’s second attempt in 1900.

• Oz is short for ounce, the measure for gold and silver.
• Dorothy, hailing from Kansas, represents the commoner.
• The Tin Woodsman is the industrial worker, rusted as solid as the factories shut down in the 1893 depression.
• The Scarecrow is the farmer who apparently doesn’t have the wit to understand his situation or his political interests.
• The Cowardly Lion is Bryan himself; who had a loud roar but little political power.
• The Good Witches represent the magical potential of the people of the North and the South.

 

After vanquishing the Wicked Witch of the East (the Eastern bankers) Dorothy frees The Munchkins (the little people). With the witch’s silver slippers (the silver standard), Dorothy sets out on the Yellow Brick Road (the gold standard) to the Emerald City (Washington), where they meet the Wizard (the President), who appears powerful, but is ultimately revealed as an illusion; the real Wizard being just a little man who pulls levers behind a curtain.

 

This can be interpreted in two ways: Either, the President himself is really just a little man who pulls levers to sustain an illusion of power, or, the real power of the President rests with the little men behind the curtains who pull the levers and create the illusion.

 

When the real Wizard is exposed, the now enlightened Scarecrow denounces him. Dorothy drowns the Wicked Witch of the West (the West Coast elite); the water being an allegory for the Midwest drought. The real Wizard flies away in a hot-air balloon, the Scarecrow is left to govern the Emerald City, the Tin Woodsman rules the West, and the Cowardly Lion returns to the forest where he becomes King of the Beasts after vanquishing a giant spider which was devouring the animals in the forest.

 

Note: Dorothy’s silver slippers were changed to ruby in the 1939 film.

 

I agree and there's a lot more to the allegory to, but the main point that it's a wonderful tool for understanding conspiracies and how people are being manipulated by the powers that be. It looks like a children's film, but there's more in that film and book than most people realise. It can be used for nefarious purposes, such as MKUltra and mind control, but it can also be used to enlighten people.

 

Most people who are buying into globalism and NWO ideals are just like the people Frank L. Baum describes in the book, which is so much better than the film. They are like people who've had green sunglasses locked over their eyes, so everything they see is emerald in colour. This means that the Emerald City, the heart of the NWO project, is merely a figment if people's mind controlled imaginations! 

 

Chapter 10, "The Guardian of the Gate":

 

"This must be the Land of Oz," said Dorothy, "and we are surely getting near the Emerald City."

 

"Yes," answered the Scarecrow. "Everything is green here, while in the country of the Munchkins blue was the favorite color. But the people do not seem to be as friendly as the Munchkins, and I'm afraid we shall be unable to find a place to pass the night."

 

[...]

 

When he saw Dorothy and her companions the man asked,

 

"What do you wish in the Emerald City?"

 

"We came here to see the Great Oz," said Dorothy.

 

The man was so surprised at this answer that he sat down to think it over.

 

"It has been many years since anyone asked me to see Oz," he said, shaking his head in perplexity. "He is powerful and terrible, and if you come on an idle or foolish errand to bother the wise reflections of the Great Wizard, he might be angry and destroy you all in an instant."

 

"But it is not a foolish errand, nor an idle one," replied the Scarecrow; "it is important. And we have been told that Oz is a good Wizard."

 

"So he is," said the green man, "and he rules the Emerald City wisely and well. But to those who are not honest, or who approach him from curiosity, he is most terrible, and few have ever dared ask to see his face. I am the Guardian of the Gates, and since you demand to see the Great Oz I must take you to his Palace. But first you must put on the spectacles."

 

"Why?" asked Dorothy.

 

"Because if you did not wear spectacles the brightness and glory of the Emerald City would blind you. Even those who live in the City must wear spectacles night and day. They are all locked on, for Oz so ordered it when the City was first built, and I have the only key that will unlock them."

 

He opened the big box, and Dorothy saw that it was filled with spectacles of every size and shape. All of them had green glasses in them. The Guardian of the Gates found a pair that would just fit Dorothy and put them over her eyes. There were two golden bands fastened to them that passed around the back of her head, where they were locked together by a little key that was at the end of a chain the Guardian of the Gates wore around his neck. When they were on, Dorothy could not take them off had she wished, but of course she did not wish to be blinded by the glare of the Emerald City, so she said nothing.

 

Then the green man fitted spectacles for the Scarecrow and the Tin Woodman and the Lion, and even on little Toto; and all were locked fast with the key.

 

Then the Guardian of the Gates put on his own glasses and told them he was ready to show them to the Palace. Taking a big golden key from a peg on the wall, he opened another gate, and they all followed him through the portal into the streets of the Emerald City.

 

 

 

Edited December 17, 2021 by RobSS

[KingKitty]

19 hours ago, Anti Facts Sir said:

Must admit I assumed Labyrinth was a lot of kids stuff with muppets! At least it makes sense why Bowie got involved with the project.

Never saw it, myself. I think the Muppet one you are thinking of was The Dark Crystal.

[Ethel]

I challenge anyone to listen to Aladdin Sane from start to finish and not conclude that Bowie was a musical genius. 

 

That's my focus when I think of him.

[KingKitty]

On 12/9/2021 at 1:03 PM, DannyUK said:

I’ll put this out here and suggest that David Bowie is a product of military intelligence mind control and psychological manipulation to engineer public consent, by engaging with a certain target audience and selling a perception.

Many of the key 60's rock artist were from military families. Many of them are part of the Laurel Canyon crowd. Like Jim Morrison whose father was U.S. Navy Admiral George Stephen Morrison. 

 

It is the first week of August, 1964, and U.S. warships under the command of U.S. Navy Admiral George Stephen Morrison have allegedly come under attack while patrolling Vietnam’s Tonkin Gulf. This event, subsequently dubbed the ‘Tonkin Gulf Incident,’ will result in the immediate passing by the U.S. Congress of the obviously pre-drafted Tonkin Gulf Resolution, which will, in turn, quickly lead to America’s deep immersion into the Vietnam War.

 

The unofficial leader of the Laurel Canyon hippies was Frank Zappa. Zappa played host to virtually every musician who past through the canyon in the mid- to late-1960s. He will also discover and sign numerous acts to his various Laurel Canyon-based record labels, such as Captain Beefheart and Alice Cooper. 

 

Zappa never really made a secret of the fact that he had nothing but contempt for the ‘hippie’ culture that he helped create. Given that Zappa was a rigidly authoritarian control-freak and a supporter of U.S. military actions in Southeast Asia, it is perhaps not surprising that he would not feel a kinship with the youth movement that he helped nurture. And it is probably safe to say that Frank’s dad also had little regard for the youth culture of the 1960s, given that Francis Zappa (Frank's dad)was a chemical warfare specialist assigned to the Edgewood Arsenal. Edgewood is the longtime home of America’s chemical warfare program, as well as a facility frequently cited as being deeply enmeshed in MK-ULTRA operations. Curiously enough, Frank Zappa literally grew up at the Edgewood Arsenal, having lived the first seven years of his life in military housing on the grounds of the facility. The family later moved to Lancaster, California, near Edwards Air Force Base, where Francis Zappa continued to busy himself with doing classified work for the military/intelligence complex.

 

Zappa’s manager was Herb Cohen. Cohen, a former U.S. Marine, had spent a few years traveling the world before his arrival on the Laurel Canyon scene. Making up the other half of Laurel Canyon’s First Family is Frank’s wife, Gail Zappa, known formerly as Adelaide Sloatman. Gail hails from a long line of career Naval officers, including her father, who spent his life working on classified nuclear weapons research for the U.S. Navy. Gail herself had once worked as a secretary for the Office of Naval Research and Development (she also once told an interviewer that she had “heard voices all [her] life”). Many years before their nearly simultaneous arrival in Laurel Canyon, Gail had attended a Naval kindergarten with Jim Morrison. The very same Jim Morrison had later attended the same Alexandria, Virginia high school as two other future Laurel Canyon luminaries – John Phillips and Cass Elliott.

 

John Phillips was yet another child of the military/intelligence complex. The son of U.S. Marine Corp Captain Claude Andrew Phillips and a mother who claimed to have psychic and telekinetic powers, John attended a series of elite military prep schools in the Washington, D.C. area, culminating in an appointment to the prestigious U.S. Naval Academy at Annapolis. After leaving Annapolis, John married Susie Adams, a direct descendant of ‘Founding Father’ John Adams. Susie’s father, James Adams, Jr., had been involved in covert intelligence operations with the Air Force in Vienna. Susie herself would later find employment at the Pentagon, alongside John Phillip’s older sister, Rosie, who dutifully reported to work at the complex for nearly thirty years. John’s mother, ‘Dene’ Phillips, also worked for most of her life for the federal government in some unspecified capacity. And John’s older brother, Tommy, was a battle-scarred former U.S. Marine who found work as a cop on the Alexandria police force, albeit one with a disciplinary record for exhibiting a violent streak when dealing with people of color. 

 

Before succeeding in his musical career, however, John did seem to find himself, quite innocently of course, in some rather unusual places. One such place was Havana, Cuba, where Phillips arrived at the very height of the Cuban Revolution. For the record, Phillips has claimed that he went to Havana as nothing more than a concerned private citizen, with the intention of – you’re going to love this one – “fighting for Castro.” Because, as I mentioned earlier, a lot of folks in those days traveled abroad to thwart CIA operations before taking up residence in Laurel Canyon and joining the ‘hippie’ generation. During the two weeks or so that the Cuban Missile Crisis played out, a few years after Castro took power, Phillips found himself cooling his heels in Jacksonville, Florida – alongside, coincidentally I’m sure, the Mayport Naval Station.

 

Stephen Stills will have the distinction of being a founding member of two of Laurel Canyon’s most acclaimed and beloved bands: Buffalo Springfield, and, needless to say, Crosby, Stills & Nash. In addition, Stills will pen perhaps the first, and certainly one of the most enduring anthems of the 60s generation, “For What It’s Worth,” the opening lines of which appear at the top of this post (Stills’ follow-up single will be entitled “Bluebird,” which, coincidentally or not, happens to be the original codename assigned to the MK-ULTRA program).

 

Stephen Stills was also from a career military family. Raised partly in Texas, young Stephen spent large swaths of his childhood in El Salvador, Costa Rica, the Panama Canal Zone, and various other parts of Central America. Stills was educated primarily at schools on military bases and at elite military academies. Among his contemporaries in Laurel Canyon, he was widely viewed as having an abrasive, authoritarian personality. 

 

David Crosby, founding member of the seminal Laurel Canyon band the Byrds, as well as Crosby, Stills & Nash. Crosby is also the son of an Annapolis graduate and WWII military intelligence officer, Major Floyd Delafield Crosby. Floyd Crosby spent much of his post-service time traveling the world. Those travels landed him in places like Haiti, where he paid a visit in 1927, when the country just happened to be, coincidentally of course, under military occupation by the U.S. Marines. One of the Marines doing that occupying was a guy that we met earlier by the name of Captain Claude Andrew Phillips.

 

David Crosby is much more than just the son of Major Floyd Delafield Crosby. David Van Cortlandt Crosby is a scion of the closely intertwined Van Cortlandt, Van Schuyler and Van Rensselaer families. The Crosby family tree includes an array of US senators and congressmen, state senators and assemblymen, governors, mayors, judges, Supreme Court justices, Revolutionary and Civil War generals, signers of the Declaration of Independence, and members of the Continental Congress. It also includes more than a few high-ranking Masons. Stephen Van Rensselaer III, for example, reportedly served as Grand Master of Masons for New York. And if all that isn’t impressive enough, according to the New England Genealogical Society, David Van Cortlandt Crosby is also a direct descendant of ‘Founding Fathers’ and Federalist Papers’ authors Alexander Hamilton and John Jay. 

 

Jackson Browne is another product of a career military family. Browne’s father was assigned to post-war ‘reconstruction’ work in Germany, which very likely means that he was in the employ of the OSS, precursor to the CIA. U.S. involvement in post-war reconstruction in Germany largely consisted of maintaining as much of the Nazi infrastructure as possible while shielding war criminals from capture and prosecution. Against that backdrop, Jackson Browne was born in a military hospital in Heidelberg, Germany. 

 

Gerry Beckley, Dan Peek and Dewey Bunnell, better known as the band America, the three will score huge hits in the early ‘70s with such songs as “Ventura Highway,” “A Horse With No Name,” and the Wizard of Oz-themed “The Tin Man.” All three were products of the military/intelligence community. Beckley’s dad was the commander of the now-defunct West Ruislip USAF base near London, England, a facility deeply immersed in intelligence operations. Bunnell’s and Peek’s fathers were both career Air Force officers serving under Beckley’s dad at West Ruislip, which is where the three boys first met.

 

Mike Nesmith of the Monkees and Cory Wells of Three Dog Night both arrived in LA not long after serving time with the U.S. Air Force. Nesmith also inherited a family fortune estimated at $25 million. Gram Parsons, who would briefly replace David Crosby in The Byrds before fronting The Flying Burrito Brothers, was the son of Major Cecil Ingram “Coon Dog” Connor II, a decorated military officer and bomber pilot who reportedly flew over 50 combat missions. Parsons was also an heir, on his mother’s side, to the formidable Snively family fortune. Said to be the wealthiest family in the exclusive enclave of Winter Haven, Florida, the Snively family was the proud owner of Snively Groves, Inc., which reportedly owned as much as 1/3 of all the citrus groves in the state of Florida.

And so it goes as one scrolls through the roster of Laurel Canyon superstars. What one finds, far more often than not, are the sons and daughters of the military/intelligence complex and the sons and daughters of extreme wealth and privilege – and oftentimes, you’ll find both rolled into one convenient package. Every once in a while, you will also stumble across a former child actor, like the aforementioned Brandon DeWilde, or Mickey Dolenz of the Monkees. You might also encounter some former mental patients, such as James Taylor, who spent time in two different mental institutions in Massachusetts before hitting the Laurel Canyon scene, or Larry “Wild Man” Fischer, who was institutionalized repeatedly during his teen years, once for attacking his mother with a knife (an act that was gleefully mocked by Zappa on the cover of Fischer’s first album). Finally, you might find the offspring of an organized crime figure, like Warren Zevon, the son of William “Stumpy” Zevon, a lieutenant for infamous LA crimelord Mickey Cohen.

 

...and so it goes...

Edited December 17, 2021 by KingKitty

[KingKitty]

12 minutes ago, Ethel said:

I challenge anyone to listen to Aladdin Sane from start to finish and not conclude that Bowie was a musical genius. 

 

That's my focus when I think of him.

As well as " The Rise And Fall Of Ziggy Stardust And The Spiders From Mars", "Station To Station", "The Man Who Sold the World", "Diamond Dogs", Hunky Dory", "Young Americans"...

[RobSS]

1 hour ago, KingKitty said:

Never saw it, myself. I think the Muppet one you are thinking of was The Dark Crystal.

 

The main characters in Labyrinth weren't muppets, but some of the other characters were. I have to say, Labyrinth isn't my favourite film because of the muppets, but the actor who played Sarah was good, and David Bowie did very well. The plot and general ideas were very good.

 

I watched Dark Crystal. It has some interesting insights, but I found it a bit creepy. Not too keen on muppet characters.

 

 

Edited December 17, 2021 by RobSS

[Anti Facts Sir]

1 hour ago, KingKitty said:

Never saw it, myself. I think the Muppet one you are thinking of was The Dark Crystal.

Quite possibly! Does the Labyrinth one have Jim Henson puppets too? I'm sure I remember that, but memory not as reliable as it was.

[KingKitty]

56 minutes ago, RobSS said:

 

The main characters in Labyrinth weren't muppets, but some of the other characters were. I have to say, Labyrinth isn't my favourite film because of the muppets, but the actor who played Sarah was good, and David Bowie did very well. The plot and general ideas were very good.

 

I watched Dark Crystal. It has some interesting insights, but I found it a bit creepy. Not too keen on muppet characters.

 

 

I confess to having never seen The Labyrinth, so I wasn't sure if it had Muppets in it or not. Turns out it was written and directed by the head Muppet, Jim Henson. 

 

I sat through some of The Dark Crystal, but couldn't get into it. Bored the cr@p out of me. 

[Anti Facts Sir]

Being barely a teenager at the time, I just remember the likes of Smash Hits or whatever taking the piss out of Bowie a bit for doing a muppets film and dressing up in silly outfits...lots of jokes about goblins etc. I never really thought any more about it, but now I'm intriuged.

[Ethel]

1 hour ago, KingKitty said:

As well as " The Rise And Fall Of Ziggy Stardust And The Spiders From Mars", "Station To Station", "The Man Who Sold the World", "Diamond Dogs", Hunky Dory", "Young Americans"...

 

Yeah, I've never actually disliked a Bowie album. I wasn't daft on "Scary Monsters..." but even that had it's merits. If I judged him on his music alone I'd have nothing bad to say about him.

 

[SoundOfSilence]

On 12/17/2021 at 11:44 AM, RobSS said:

 

As J.C. once said, "Be wise as Serpents (but gentle as Doves)". It's the latter part that Serpents have a real problem with because they don't know empathy, and there's nothing in their Ancient Mystery School religion that teaches, or shows, forgiveness.

 

That is incorrect.

 

There are two pillars. The pillars to Solomon's temple. They are called Jachin and Boaz.

 

They also appear on the Kabbalistic Tree. There they are called Severity and Mercy. The key is to walk the middle path between the pillars.

 

The trick is getting the balance. Show too much mercy and you allow evil to flourish. Be too severe and you become a tyrant.

 

All through the various teachings one can find this symbolism. I'll use the Tarot as an example. This is the Strength card.

 

In this scene The Fool comes across a maiden with a lion. The maiden is controlling the lion but yet she is not using force. The lion has succumbed willingly.

 

When The Fool asks how, the maiden replies that the lion is drawn to her energy and wants to be a part of it. Hence The Fool learns the lesson of spiritual energy over brute force.

 

You can see the maiden drawing down the energy. The energy is in the shape of the lemniscate, the mathematical symbol for infinity. It represents the infinite universal consciousness.

 

But you can see in the background, where the maiden is pointing the gap between the two pillars. This is the middle path. Do not allow evil to flourish but do not become cruel.

 

It is a very difficult balance to achieve.

 

 

On 12/17/2021 at 11:44 AM, RobSS said:

 

These stories are basically fairy tales. Just like Hansel and Gretel and Little Red Riding Hood. Apart from "Once upon a time...", they all start with a state of childlike innocence, there's a fall, a long journey of searching and revelation, and then a return to innocence with an enhanced soul, full of experience and wisdom.

 

They are also myth with a meaning.

 

In Snow White and the Seven Dwarves Snow White gains salvation because she cleaned the Seven Dwarves' house. The metaphor is cleaning/purifying the seven chakra points.

 

On 12/17/2021 at 11:44 AM, RobSS said:

 

 

 

[SoundOfSilence]

On 12/18/2021 at 5:11 AM, KingKitty said:

 

 

Note: Dorothy’s silver slippers were changed to ruby in the 1939 film.

Do you think Adrian (M-G-M's costume designer) changed the shoes to Ruby because of the look in technicolor?

 

I think your analysis was repeated in a documentary. I forget the film maker. He also made the film about Obama's father being Frank Marshall Davies. I think he may have analyzed it to the 1930s depression. Which makes no sense given the book was written in 1900. But it's been years since I saw it so I may have not recalled correctly.

 

I know the book and film get associated with MK Ultra.

 

Clearly nothing to do with their content.

 

But altars can be recalled through color association. So it is a strong reinforcement tool while the programming is being carried out.

 

 

[DannyUK]

On 12/9/2021 at 9:08 PM, Macnamara said:

David Bowie was into kabbalah and other Jewish facts about the late icon

By Gabe Friedman January 11, 2016

Bowie racked up some interesting Jewish connections. Below, we give you five of them.

1. He was into kabbalah, and sang about it.

“Here are we, one magical movement from kether to malkuth,” Bowie sang in his 1976 song “Station to Station.” “Kether” and “malkuth” are two of the 10 elements of the kabbalistic tree of life — the highest and lowest parts, respectively. Despite being high on cocaine for most of the “Station to Station” album’s recording process and describing it years later as the work of “an entirely different person,” Bowie was fascinated with kabbalah during this period (decades before Madonna made it cool). The back cover of the “Station to Station” album features Bowie drawing the kabbalistic tree of life in chalk.

2. His first manager was Jewish.

Les Conn, born to a Jewish family in Stamford Hill, a traditionally Jewish part of London, failed to make much headway in the music business before connecting with the 17-year-old Bowie — then still going by his birth name, David Robert Jones — in 1964 through a mutual acquaintance, washing machine magnate John Bloom. Conn managed to get Jones’ first band some gigs, but he couldn’t sell his talent to The Beatles’ publisher, Dick James. When Conn’s contract with Jones expired, the rocker left for a new band and changed his name to Bowie — and the rest is history.

3. He was close to Jewish rockers Lou Reed and Marc Bolan (in different ways).

Bowie connected with Lou Reed, of the Velvet Underground, and pop artist Andy Warhol on a trip to the United States in 1971. He later produced Reed’s breakthrough solo album “Transformer” in 1972. When Reed died in 2013, Bowie called him “a master.”

Marc Bolan, lead singer of the glam rock band T-Rex, had a more complicated and competitive relationship with Bowie. The two teenagers became close friends early on in their careers when they were both managed by Conn.

Tension ensued when Bolan (who was born Mark Feld and ate Jewish soul food after concerts) found success years before Bowie did. But Bolan’s producer, Tony Visconti, eventually began devoting more of his time and energy to Bowie’s albums, which began climbing the charts as Bolan went downhill into alcohol and drug addiction. Nevertheless, according to the Daily Mail, after Bolan died in a 1977 car crash at 29, Bowie quietly gave financial support to Bolan’s wife and son.

4. He went through a bit of a Nazi phase.

In a drug-induced state leading up to the release of “Station to Station,” Bowie was criticized for saying in an interview that Adolf Hitler was “one of the first rock stars.” In the same month, he said Britain could “benefit from a fascist leader.”

Bowie later assumed a persona called the “Thin White Duke,” which has been described as an “emotionless Aryan superman.” In 1976, he drove up to London’s Victoria Station in a Mercedes convertible and gave what was reported to be a Nazi salute. Bowie denied the reports and later attributed his behavior to the copious amounts of drugs he was taking at the time.

5. He performed in Israel during one of the happiest stages of his life.

“I think I would have to be squeezed real hard to be happier,” Bowie said in 1996, fresh off a performance at Hayarkon Park in Tel Aviv. In a series of videos, Bowie said he and his band were in the midst of one of the best tours of his life. He had recently released the experimental album “Outside” and had several other creative projects in the works. “I’ve been trying to go here for years,” he said in one of the videos with a smile shortly after getting off his plane.

https://www.jta.org/2016/01/11/culture/david-bowie-5-jewish-facts-about-the-glam-rock-icon

 

^ “Babylon Working” - Invoking Babylon V

 

If you listen to the start of Station to Station it has the “Music of the Future” vibe that Desmond Leslie was trying to present here…

This is essentially occultists showing their hand.

They know they want to produce sound of a certain type/frequency to create a certain influence within peoples minds, mainly trying to enter into the subconscious without people knowing they’re being influenced.
They believe the response is their own and genuine, not something which has been triggered.

This would have been an extension of crowd control following WWII which led to this type of research.

They need to hide such in music to get such influence without people obviously understanding what they’re listening to as then, this would be less effective.

This is a form of Spell Casting, hypnosis.

The advancements from these are leading towards Technological Spell Casting over peoples minds - Transhumanism - The Coming Race!

 

This was at a time the occultists understood this analytically enough as an idea, a concept that they wanted to put into practice, but they wasn’t yet equipped enough to incorporate those designs within a creative manner to present them as music people would want to listen to, to attract a certain target audience, through an artist, that if anyone noticed, they’d just suggest the artist was off their face or an outlet of creative work that failed etc.

This is much more than that, but coldly calculated and designed through “an artist” where a scientific method has been formulated to achieve a certain end, a goal, that creativity is then being directed to aim for to induce a certain response in those they’re targeting.

To do this, they’d most definitely invest a lot of time and money into artists that simply couldn’t be allowed to fail so this could be tried and tested and I’d reckon the most ideal candidates are those who themselves are under Mind Control.

Using music as a Tool to achieve this, not pure artistic creativity of music based upon its own merits, but using music/sound as a Tool to influence peoples minds by exploiting music, creativity and artists.

The psychological hacking of humans…

 

 

^ “Babylon Working” - Invoking Babylon V

The Mind Control - Much like the Beatle  Mania

Moonchild - Operation Moonshoot - The V

"I Am the Whore and the Holy One"

 

I’ll have to take a look at Labyrinth…

And why not?

The Killing Joke!

Transhumanism 

 

Edited December 19, 2021 by DannyUK

[RobSS]

5 hours ago, SoundOfSilence said:

 

That is incorrect.

 

There are two pillars. The pillars to Solomon's temple. They are called Jachin and Boaz.

 

They also appear on the Kabbalistic Tree. There they are called Severity and Mercy. The key is to walk the middle path between the pillars.

 

The trick is getting the balance. Show too much mercy and you allow evil to flourish. Be too severe and you become a tyrant.

 

All through the various teachings one can find this symbolism. I'll use the Tarot as an example. This is the Strength card.

 

In this scene The Fool comes across a maiden with a lion. The maiden is controlling the lion but yet she is not using force. The lion has succumbed willingly.

 

When The Fool asks how, the maiden replies that the lion is drawn to her energy and wants to be a part of it. Hence The Fool learns the lesson of spiritual energy over brute force.

 

You can see the maiden drawing down the energy. The energy is in the shape of the lemniscate, the mathematical symbol for infinity. It represents the infinite universal consciousness.

 

But you can see in the background, where the maiden is pointing the gap between the two pillars. This is the middle path. Do not allow evil to flourish but do not become cruel.

 

It is a very difficult balance to achieve.

 

 

 

They are also myth with a meaning.

 

In Snow White and the Seven Dwarves Snow White gains salvation because she cleaned the Seven Dwarves' house. The metaphor is cleaning/purifying the seven chakra points.

 

 

 

I agree about your observations about the Kabbalah, but the Ancient Mystery School adepts do not teach forgiveness to ordinary people. If they do, please show me where, thanks.

 

 

[SoundOfSilence]

14 minutes ago, RobSS said:

 

I agree about your observations about the Kabbalah, but the Ancient Mystery School adepts do not teach forgiveness to ordinary people. If they do, please show me where, thanks.

 

 

Are you claiming that showing mercy is not forgiveness?