The Neverending Story

[stevedelve]

Does anyone know if Michael Ende's "The Neverending Story" is used for mind control programming? I tried to find some information about it, but could not really find any direct connection. Michael Ende in general brings a lot of occult influences into his books. For example here the freemason floor:

http://www.mjfiles.com/wp-content/uploads/content/michael-ende-the-dream-eater.jpg

[ninny]

i like his stories. the best was MOMO with the grey men. this novel takes part in german literature teaching at schools.

Momo (novel) - Wikipedia, the free encyclopedia


The main theme of Momo can be seen as a criticism of consumerism and stress. It describes the personal and social losses produced by unnecessary consumption, and the danger to be driven by a hidden interest group with enough power to induce people into this life style. Michael Ende has also claimed to have had the concept of aging money in mind when writing Momo.

i didnt read all his books but he is amazing. he had novel called http://en.wikipedia.org/wiki/Der_satanarch%C3%A4ol%C3%BCgenialkoh%C3%B6llische_ Wunschpunsch

the long word is made up of 7 words: satan, anarchy, archaeology, lie, ingenious, alcohol and infernal. this book came out in 1989. maybe its Germany Unit related. It would not wonder me relating to the plot.
i doubt they use his work for mk ultra programming. for this they have the alice in wonderland stuff.

nevermind but his works reminds me of Brothers Grimm and Goethe.

[lieorrists]

That's a good point Steve, from my personal theory it's definitely a movie that's designed to disrupt a child's harmony and innocence probably something like Disney films do but less of the sex and more of the horror. But yeah I agree it's something no quite right.. possibly free-masonic.

[raven_patronus]

What a strange coincidence!

I read the book, "The Neverending Story." The book won't take a child's innocence but a movie could I guess. I will not be watching the movie, as I have grown to dislike movies/TV intensely lately.

I am now reading Michael Ende "Night of Wishes." It was so odd, because last night I was thinking how much something in the story reminds me of David Icke's worldview.

I just started reading it, but I can see it is about a protegee named Beezalbub who has a great, mysterious benefactor who is called his Hellish Excellency. In the meantime he has a talking cat (it's fantasy)! who is Mr. Beezalbulb's servant. I read that the two servants are going to bring him down later....

The main similairity is that Beezabulb is a sorcerer and his superior has forced him to sign a contract to do things to destroy the planet. Every year there must be animals going extinct and huge natural disasters. Beezalbulb didn't fulfull it this year, and it's New Year's Eve! That was the book got me reminded of our "Elite" who might be asked by Reptilians to do awful things. His Hellish Excellency also reminds me of the Reptilians because the Sorcerer Beezalbulb says that this entity can follow you all over the world and appear anywhere.


In conclusion, I wonder if Ende's mind/imagination is accessing something related to what going's on in the real world...the stuff hidden from everybody else....

[stevedelve]

I did some more research on him and found the following German text(for everyone who speaks some German:), that contains some very interesting information on Michael Endes world view. I'll translate roughly some of the important bits:

http://www.michaelende.com/bio.php?id=10&lang=de
In Stuttgart ist er weniger von der anthroposophischen Waldorf-Schule fasziniert als vielmehr von Literatur und Kunst. Zwar beschäftigt er sich von Jugend an intensiv mit Rudolf Steiner und seinen Werken, wie dies im übrigen auch seine Eltern tun, doch hat Peter Boccarius, ein enger Jugendfreund, Recht, wenn er in seiner Biographie "Michael Ende. Der Anfang der Geschichte" ausführt, es sei nicht nur die Steinersche Anthroposophie gewesen, die Michael Endes Weltsicht geprägt habe. Durch Edgar Endes Bibliothek inspiriert, kommt der Sohn in jungen Jahren mit okkulten Schriften in Kontakt. Als "Hauptstadt des Okkultismus im frühen 20. Jahrhundert" zog die bayerische Metropole im ersten Viertel des Jahrhunderts zahlreiche Vertreter der Lehre vom Übersinnlichen an. Genannt seien hier nur die "Kosmiker" um Alfred Schuler, Karl Wolfskehl und Ludwig Klages. Fasziniert von der Möglichkeit, in künstlerischer Form mit den letzten Dingen zu korrespondieren, stürzt der junge Schüler sich in die Lektüre besagter Schriften. Aber nicht nur den Kosmikern schenkt er seine Aufmerksamkeit.

Michael Ende hat sich in der Tat ein Leben lang für alle philosophischen Systeme interessiert, denen ein magisches Weltbild zugrunde liegt:"Edgars Sohn suchte auch bei anderen Weisen und Esoterikern Erkenntnis, in des legendären Christian Rosenkreutz' Chymischer Hochzeit wie in des infernalischen Altmeisters Aleister Crowleys Manifesten, bei Indern und Ägyptern, beim Zen, in der Kabbala, bei Swedenborg, Eliphas Lévi, Sören Kierkegaard, Friedrich Weinreb. Doch er konnte keines Meisters Jünger werden; ins Netz einer geschlossenen Welt- und Jenseitsanschauung eingezwängt, wäre er erstickt. Für Michael gab es etwas, das ihm wichtiger erschien als das alles." Und das war die Kunst: "Was sie ist, wie man sie macht, was sie soll, kann, darf."

Für Michael Ende bieten alle diese philosophischen Systeme zur Welterklärung keine befriedigende Antwort über Sinn und Zweck von Kunst, geschweige ein Bild von dem, was sie sein sollte. "Darin liegt Steiners großer Irrtum", so schreibt er einmal, "was Kunst betrifft: Er glaubte, man könne Erkenntnisse künstlerisch gestalten. Das musste misslingen, und nicht nur, weil er nicht genügend Talent besaß, sondern vor allem, weil sein Verständnis von dem, was Kunst sein kann und soll, falsch war. Das geht vielen Erkenntnismenschen so."


Michael Ende's father, Edgar Ende, was an artist and had to work secretly because the Nazis didn't like his art. His parents where interested in Rudolph Steiner, and sent him to a Waldorf school.

Ende grew up studying Rudolph Steiner's works, but was even more influenced by other books in his father's private occult library. The library included the works of people like Alfred Schuler, Karl Wolfskehl and Ludwig Klages.

He was interested in all philosophical systems that were based on a magical world view. He studied the works of Christian Rosenkreutz (Rosarians), Aleister Crowley, Swedenborg, Eliphas Lévi, Sören Kierkegaard, Friedrich Weinreb, the teachings of the indians, the egyptians, Zen, and Kabbala. But he never became a follower to any master. He would have died being locked into a closed world view. There was something that seemed to be more important than anything else, and that was art.

For Ende, all these philosophical systems didn't give him a satisfying answer to the question about the meaning of art. He said that Steiner was wrong when he thought that one can express an insight in an artistic way. This, in his opinion, was bound be wrong, not only because of Steiner's lack of talent, but also because Steiner's understanding of what art is, was wrong.

Michael Ende was an interesting personality. I'll definitly get some more of his books and find out what moved this man. . .

[302bluefog]

Is "the nothing" here?

Neverending Story Clip - Gmork Scene - YouTube

YouTube - Broadcast Yourself.

[paganoflight]

On the book cover (in the movie) is this symbol which is called "the Orin" (spelling unclear). It's an obvious image of duality that conjures up references to, or a combination of the principles of the yinyang symbol with the Ouroboros eating its own tale:

http://media.tumblr.com/tumblr_ljb89qWeg61qd9qnu.gif